Geese in a Farmyard

Jean-François Millet, 1871

MEDIUMBlack crayon, on ivory wove paper (discolored to tan), laid down on white laid paper
DIMENSIONS19.9 × 26 cm (7 7/8 × 10 1/4 in.)
LOCATIONArt Institute of Chicago
COLLECTIONPrints and Drawings
CULTUREFrance
CREDIT LINEThe Art Institute of Chicago

Stop to appreciate the lively energy of these geese, captured with remarkably expressive crayon strokes. This drawing offers an intimate glimpse into 19th-century farm life, focusing on the simple beauty of ordinary animals.

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ABOUT THIS WORK

A flock of geese, rendered with quick, energetic strokes, dominates this farmyard scene. The birds cluster together, their forms suggested by the varying pressure of the crayon, creating a sense of their soft feathers and plump bodies. One goose, perhaps the gander, stands prominently in the foreground, its neck craned, surveying its surroundings. Behind the geese, the rough textures of a thatched roof and a wooden fence suggest the rustic setting, while a faint, shadowy figure in the background hints at human presence without drawing focus from the animals. This intimate drawing, made late in the artist's career, captures a fleeting moment of rural life, reflecting the Realism movement's interest in everyday subjects and the dignity of the natural world, even in its most humble forms.

ART MOVEMENTS
Barbizon schoolNaturalismRealism
LOOK CLOSER

What to Notice

1

The varied pressure of the black crayon, from soft smudges to sharp lines.

2

The textures of the thatched roof and wooden fence behind the geese.

3

The way the geese's forms are suggested rather than precisely outlined.

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Audio Deep Dive

Stop to appreciate the lively energy of these geese, captured with remarkably expressive crayon strokes. This drawing offers an intimate glimpse into 19th-cent…

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THE ARTIST
Jean-François Millet 1814–1875 · France

Jean-François Millet was a French artist and one of the founders of the Barbizon school in rural France. Millet is noted for his paintings of peasant farmers and can be categorized as part of the Realism art movement. Toward the end of his career, he became increasingly interested in painting pure landscapes. He is known best for his oil paintings but is also noted for his pastels, Conté crayon drawings, and etchings.

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