“This album is a rare, personal collection of early photographs from 1863, showcasing diverse printing techniques and formats, from small portraits to sweeping panoramas, offering a window into a private world.”
This unique album, compiled around 1863, offers a fascinating glimpse into the early days of photography, showcasing the versatility of the medium through various sizes and printing techniques. Unlike many institutional collections of the era, this album feels deeply personal, almost like a family scrapbook. It contains both albumen silver prints and salted paper prints, a testament to the evolving photographic processes of the mid-19th century. The inclusion of panoramas alongside smaller carte-de-visite formats highlights an experimental spirit, pushing the boundaries of what photography could capture and present. This collection isn't just a historical document; it's a window into a private world, preserving faces and places that were significant to its original owner, Franklin Blake, whose identity remains a compelling mystery.
- Artist
- John Haynes-Williams
- Date
- 1863
- Medium
- Albumen silver prints from glass negatives; salted paper prints from glass negatives
- Location
- The Metropolitan Museum of Art
- Dimensions
- Various: cdv to approx. 11 x 15 inches, some panoramas
- Collection
- Photographs
- Credit line
- Gilman Collection, Purchase, Cynthia Hazen Polsky Gift, 2005
What to Notice
Five details hide in plain sight. Here’s where to look.
![[Franklin Blake Album]](https://images.artwhisper.app/artworks/ee38bd83-9a50-4076-9384-54d0b5bb87e4/33952274-9185-42c8-a995-5d4ac574a76e_sm.jpg)
Look for the different tones and textures between the albumen and salted paper prints.
Spot the panoramas, capturing wide vistas in early photographic form.
Compare the small carte-de-visite portraits with the larger format prints.
Observe the subtle variations in print quality, reflecting early photographic challenges.
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John Haynes-Williams
1836–1908 · United Kingdom of Great Britain and IrelandJohn Haynes-Williams was a British painter known for his detailed oil paintings, including works like 'Alice' from 1892.
Further Works by Haynes-Williams
My Pupil
1870 · Scarborough Art Gallery
Adiós (Farewell)
1871 · Herbert Art Gallery and Museum
The Talisman
1871 · National Museum Cardiff
A Spanish Warrior
1873 · Touchstones Rochdale
Spanish Dancer
1873 · Manchester Art Gallery
Will He Come?
1875 · National Museum Cardiff
The Ancestor on the Tapestry
1876 · Walker Art Gallery
Ars Longa, Vita Brevis
1877 · National Gallery
More works to explore
Beyond Haynes-Williams: works from the same years.
Same era · 1840s–1870s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1840s–1870s
Barks Fleeing Before the Storm
Léon-Victor Dupré · 1870 · Art Institute of Chicago
Same era · 1840s–1870s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1840s–1870s
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1840s–1870s
An Arab Warrior
Mariano Fortuny Marsal · 1862 · Hispanic Society of America
Same era · 1840s–1870s
Beggar with Oysters (Philosopher)
Édouard Manet · 1864 · Art Institute of Chicago
Same era · 1840s–1870s
Mount Madison from the Androscoggin River
William Hart · 1862
Same era · 1840s–1870s
Peasants Bringing Home a Calf Born in the Fields
Jean-François Millet · 1864 · Art Institute of Chicago
Same era · 1840s–1870s
Rêverie (Portrait of Gabrielle Borreau)
Gustave Courbet · 1862 · Art Institute of Chicago
Same era · 1840s–1870s
A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)
Edgar Degas · 1865 · The Metropolitan Museum of Art
Same era · 1840s–1870s
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1840s–1870s
The Beach at Sainte-Adresse
Claude Monet · 1867 · Art Institute of Chicago
![[Franklin Blake Album] by John Haynes-Williams](https://images.artwhisper.app/artworks/ee38bd83-9a50-4076-9384-54d0b5bb87e4/33952274-9185-42c8-a995-5d4ac574a76e_lg.jpg)