[Franklin Blake Album]

John Haynes-Williams, 1863

MEDIUMAlbumen silver prints from glass negatives; salted paper prints from glass negatives
DIMENSIONSVarious: cdv to approx. 11 x 15 inches, some panoramas
LOCATIONThe Metropolitan Museum of Art
COLLECTIONPhotographs
CREDIT LINEGilman Collection, Purchase, Cynthia Hazen Polsky Gift, 2005

This album is a rare, personal collection of early photographs from 1863, showcasing diverse printing techniques and formats, from small portraits to sweeping panoramas, offering a window into a private world.

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ABOUT THIS WORK

This unique album, compiled around 1863, offers a fascinating glimpse into the early days of photography, showcasing the versatility of the medium through various sizes and printing techniques. Unlike many institutional collections of the era, this album feels deeply personal, almost like a family scrapbook. It contains both albumen silver prints and salted paper prints, a testament to the evolving photographic processes of the mid-19th century. The inclusion of panoramas alongside smaller carte-de-visite formats highlights an experimental spirit, pushing the boundaries of what photography could capture and present. This collection isn't just a historical document; it's a window into a private world, preserving faces and places that were significant to its original owner, Franklin Blake, whose identity remains a compelling mystery.

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What to Notice

1

Look for the different tones and textures between the albumen and salted paper prints.

2

Spot the panoramas, capturing wide vistas in early photographic form.

3

Compare the small carte-de-visite portraits with the larger format prints.

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Audio Deep Dive

This album is a rare, personal collection of early photographs from 1863, showcasing diverse printing techniques and formats, from small portraits to sweeping…

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THE ARTIST
John Haynes-Williams 1836–1908 · United Kingdom of Great Britain and Ireland

John Haynes-Williams was a British painter known for his detailed oil paintings, including works like 'Alice' from 1892.

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