“Stop to consider the quiet drama unfolding in "Will He Come?" This painting captures a universal moment of longing and anticipation, inviting you to imagine the story behind the woman's hopeful gaze and the identity of the person she awaits.”
A young woman stands in a garden, her gaze fixed beyond the frame, anticipating someone's arrival. Her posture is one of hopeful expectation, her hands clasped loosely, drawing our attention to the delicate lace at her cuffs. The soft, dappled light filtering through the unseen trees illuminates her face and the vibrant red of her dress, creating a sense of warmth and intimacy. This painting, created in 1875 by John Haynes-Williams, captures a moment charged with emotion, inviting us to wonder about the identity of the person she awaits and the nature of their relationship. The artist’s choice to leave the viewer to imagine the narrative gives the scene a timeless quality, resonating with universal themes of longing and connection. The meticulous detail in the foliage and the woman's attire grounds this romantic scene in a tangible reality.
- Artist
- John Haynes-Williams
- Date
- 1875
- Medium
- Oil on canvas
- Location
- National Museum Cardiff
What to Notice
Five details hide in plain sight. Here’s where to look.

The delicate lace trim on the woman's cuffs and collar
The subtle blush on her cheeks, suggesting a heightened emotional state
The way the light catches the folds of her rich red dress
The intricate detailing of the leaves and flowers in the background
1 more detail is waiting.
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John Haynes-Williams
1836–1908 · United Kingdom of Great Britain and IrelandJohn Haynes-Williams was a British painter known for his detailed oil paintings, including works like 'Alice' from 1892.
Further Works by Haynes-Williams
The Talisman
1871 · National Museum Cardiff
My Pupil
1870 · Scarborough Art Gallery
Adiós (Farewell)
1871 · Herbert Art Gallery and Museum
A Spanish Warrior
1873 · Touchstones Rochdale
Spanish Dancer
1873 · Manchester Art Gallery
The Ancestor on the Tapestry
1876 · Walker Art Gallery
Ars Longa, Vita Brevis
1877 · National Gallery
George Matthews Arnold (d.1907) (8 times Mayor of Gravesend, made Honorary Freeman of Gravesend December 1907 just before his death)
1894 · Gravesham Civic Centre
More works to explore
Beyond Haynes-Williams: works from the same years.
Same era · 1860s–1890s
Cart with Black Ox
Vincent van Gogh · 1884 · Portland Art Museum
Same era · 1860s–1890s
Chariot Race
Léon-Victor Dupré · 1876 · Art Institute of Chicago
Same era · 1860s–1890s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1860s–1890s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same era · 1860s–1890s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1860s–1890s
The Fishermen (Fantastic Scene)
Paul Cézanne · 1875 · Metropolitan Museum of Art
Same era · 1860s–1890s
The Seine at Pont de Grenelle
Paul Gauguin · 1875 · Wallraf–Richartz Museum
Same era · 1860s–1890s
The Seine at Port-Marly, Piles of Sand
Alfred Sisley · 1875 · Art Institute of Chicago
Same era · 1860s–1890s
Woman at the Piano
Pierre-Auguste Renoir · 1875 · Art Institute of Chicago
Same era · 1860s–1890s
Woman with a Parasol – Madame Monet and Her Son
Claude Monet · 1875 · National Gallery of Art
Same era · 1860s–1890s
Yellow Dancers (In the Wings)
Edgar Degas · 1875 · Art Institute of Chicago
Same era · 1860s–1890s
An Alpine Scene
Gustave Courbet · 1874 · Art Institute of Chicago
