“Stop and observe this striking nude, a bold exploration of the female form by a Japanese artist in 1924. Notice the luminous quality of her skin and the serene natural setting.”
This painting, created in 1924, captures a female nude at the water's edge, a subject that was still quite daring in Japan at the time. The figure is rendered with a soft, almost luminous quality, her skin appearing warm and delicate against the cooler tones of the water and distant landscape. Her pose, leaning slightly back with one arm raised to her head, suggests a moment of contemplation or perhaps a languid stretch. The artist, Okada Saburosuke, was a prominent figure in the Yōga style, which integrated Western oil painting techniques into Japanese art. Here, he masterfully employs the play of light and shadow to define the woman's form, emphasizing the smooth curves of her body and the gentle ripple of the water around her feet. The natural setting, with its subdued colors, allows the figure to remain the undisputed focal point, inviting a quiet appreciation of the human form within nature.
- Artist
- Okada Saburosuke
- Date
- 1924
What to Notice
Five details hide in plain sight. Here’s where to look.

The subtle blush of pink on the woman's cheeks and chest.
The way the light catches the slight ripples on the water's surface.
The delicate strands of hair escaping from her loose bun.
The soft shadow cast by her left arm on her side.
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Okada Saburosuke
1869–1939 · JapanOkada Saburosuke was a leading Japanese Yōga painter, celebrated for his warm and elegant portraits of women, who shaped Western-style art education in Japan.
Further Works by Saburosuke
American Gothic
1930 · Art Institute of Chicago
Nighthawks
1942 · Art Institute of Chicago
A Sunday on La Grande Jatte — 1884
1884 · Art Institute of Chicago
Returning Life
Art Institute of Chicago
Peonies
Art Institute of Chicago
Examining an Arrow
1893 · Saga Prefectural Museum
Lion (One of a Pair, South Pedestal)
1893 · Art Institute of Chicago
Porträt des Jiro Okabe
1898 · Mie Prefectural Art Museum
More from Nihonga
More works to explore
Beyond Saburosuke and Nihonga: works from the same years.
Same era · 1900s–1930s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1900s–1930s
Interior with painter
Ernst Ludwig Kirchner · 1921 · Buchheim Museum of Imagination
Same era · 1900s–1930s
Memories of the Past
Ivan Puni · 1927 · Art Institute of Chicago
Same era · 1900s–1930s
Bull's Head
Mikhail Larionov · 1913 · Tretyakov Gallery
Same era · 1900s–1930s
Asiatic God
Paul Klee · 1924 · Art Institute of Chicago
Same era · 1900s–1930s
The Three O'Clock Sitting
Henri Matisse · 1924 · The Metropolitan Museum of Art
Same era · 1900s–1930s
Untitled (Birds)
Max Ernst · 1924 · Art Institute of Chicago
Same era · 1900s–1930s
The Praying Jew
Marc Chagall · 1923 · Art Institute of Chicago
Same era · 1900s–1930s
The Fiddler
Norman Rockwell · 1921 · Brandywine Museum of Art
Same era · 1900s–1930s
Abstraction: Background with Blue Cloudy Sky
Pablo Picasso · 1930 · Art Institute of Chicago
Same era · 1900s–1930s
American Gothic
Grant Wood · 1930 · Art Institute of Chicago
Same era · 1900s–1930s
Man and Trees, Florida
John Singer Sargent · 1917 · The Metropolitan Museum of Art

