DETAILS
- Artist
- Rosa Bonheur
- Date
- 1837
- Medium
- watercolor
- Location
- Cleveland Museum of Art
- Dimensions
- [object Object]
- Collection
- Drawings
- Culture
- France, 19th century
- Credit line
- Bequest of Muriel Butkin
ART MOVEMENTS
THE ARTIST
Rosa Bonheur
Rosa Bonheur, the most celebrated female painter of the 19th century, captured the raw power and beauty of animals, from the thundering hooves of 'The Horse Fair' to serene 'Cattle at Rest'.
EXPLORE THE MOVEMENT
More from Naturalism
1 / 1
Young Woman
Millet · 1844 · Art Institute of Chicago
Wooded Landscape
Courbet · 1848 · Art Institute of Chicago
Souvenir of Tuscany
Corot · 1845 · Art Institute of Chicago
C'est peut-être bon...mais c'est égal..., from Les Hippophages, published in Le Charivari, October 23, 1856
Daumier · 1856 · The Metropolitan Museum of Art
KEEP EXPLORING
More works to explore
Beyond Bonheur and Naturalism: works from the same years.
Same era · 1820s–1850s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1820s–1850s
Disaster at Sea
J. M. W. Turner · 1835 · National Gallery
Same era · 1820s–1850s
Hamlet and Horatio in the Graveyard
Eugène Delacroix · 1839 · Department of Paintings of the Louvre
Same era · 1820s–1850s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same era · 1820s–1850s
Mount Chocorua and Moat Mountain from North Conway
William Hart · 1850
Same era · 1820s–1850s
Portrait of a Woman, Called Héloïse Abélard
Gustave Courbet · 1850 · The Metropolitan Museum of Art
Same era · 1820s–1850s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1820s–1850s
Woman Feeding Chickens
Jean-François Millet · 1850 · Art Institute of Chicago
Same era · 1820s–1850s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1820s–1850s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1820s–1850s
Designs for a Decorated Dish, or Platter, and a Biscuit Barrel
Alfred Henry Forrester [Alfred Crowquill] · 1845 · The Metropolitan Museum of Art
Same era · 1820s–1850s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
