“Stop to appreciate this intimate portrait of Elsa, "The Viennese," by Henri de Toulouse-Lautrec. Her direct gaze and the striking use of color offer a vivid glimpse into Parisian bohemian life.”
In this striking color lithograph, a woman named Elsa, referred to as "The Viennese," gazes directly out at us, her expression a mix of confidence and weariness. Her vibrant red hair, pulled back with a bow, contrasts sharply with the muted tones of her surroundings. The artist, Henri de Toulouse-Lautrec, captures her with a directness that was characteristic of his portrayals of Parisian nightlife figures. Created in 1897, this print uses bold lines and areas of flat color, a technique that echoes the popular poster art of the era. The composition feels intimate, drawing us into Elsa's presence, yet there's a sense of distance, a barrier between her world and ours. It's a powerful depiction of a woman who, despite being a public figure in the bohemian world of Montmartre, retains a private, almost enigmatic quality.
- Artist
- Henri de Toulouse-Lautrec
- Date
- 1897
- Medium
- Color lithograph on grayish-ivory laid China paper
- Location
- Art Institute of Chicago
- Dimensions
- 58.3 × 40.5 cm (23 × 16 in.)
- Collection
- Prints and Drawings
- Culture
- France
- Credit line
- Carter H. Harrison Memorial Collection
What to Notice
Five details hide in plain sight. Here’s where to look.

Elsa's direct, unwavering gaze.
The vibrant red of her hair and bow.
The textured quality of the grayish-ivory China paper.
The subtle shading that defines her features.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
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Henri de Toulouse-Lautrec
1864–1901 · FranceHenri de Toulouse-Lautrec, the aristocratic artist of fin-de-siècle Paris, immortalized the vibrant, often scandalous, life of Montmartre's cabarets and brothels.
Further Works by de Toulouse-Lautrec
Equestrienne (At the Cirque Fernando)
1887 · Art Institute of Chicago
Moulin de la Galette
1889 · Art Institute of Chicago
At the Moulin Rouge
1892 · Art Institute of Chicago
Albert (René) Grenier (1858–1925)
1887 · The Metropolitan Museum of Art
Woman in the Garden of Monsieur Forest
1889 · The Metropolitan Museum of Art
The Streetwalker
1890 · The Metropolitan Museum of Art
Henri-Gabriel Ibels (1867–1936)
1892 · The Metropolitan Museum of Art
The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge
1892 · The Metropolitan Museum of Art
More from Post-Impressionism
More works to explore
Beyond de Toulouse-Lautrec and Post-Impressionism: works from the same years.
Same era · 1880s–1910s
A Woman Walking in a Garden
Vincent van Gogh · 1887 · Frans Buffa & sons
Same era · 1880s–1910s
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same era · 1880s–1910s
Frauenkopf vor Sonnenblumen
Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda
Same era · 1880s–1910s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same era · 1880s–1910s
Madame Léon Clapisson
Léon-Victor Dupré · 1883 · Art Institute of Chicago
Same era · 1880s–1910s
Branch of the Seine near Giverny (Mist)
Claude Monet · 1897 · Art Institute of Chicago
Same era · 1880s–1910s
The Kiss
Edvard Munch · 1897 · Munch Museum
Same era · 1880s–1910s
Nurse and Child
Mary Cassatt · 1896 · The Metropolitan Museum of Art
Same era · 1880s–1910s
Rue de l'Epicerie, Rouen (Effect of Sunlight)
Camille Pissarro · 1898 · The Metropolitan Museum of Art
Same era · 1880s–1910s
The Loire
Alfred Sisley · 1896 · Art Institute of Chicago
Same era · 1880s–1910s
Three Tahitian Women
Paul Gauguin · 1896 · The Metropolitan Museum of Art
Same era · 1880s–1910s
House and Courtyard
John Singer Sargent · 1895 · The Metropolitan Museum of Art




