“This early work by Keith Haring uses a striking black-and-white figure to explore themes of duality and energy, showcasing the graphic style that would become his signature.”
In this dynamic lithograph, a stylized figure, almost a hieroglyph, takes center stage, its body divided into two distinct halves: one black, one white. This stark contrast immediately suggests the "Day and Night" of the title, with radiating lines emanating from both sides, implying energy and constant motion. The figure's arms are raised, and its legs are bent in a lively, almost dance-like pose, a characteristic often seen in the artist's early work. The simplified forms and bold outlines give the piece a graphic quality, reminiscent of ancient Egyptian art, yet infused with the vibrant, immediate energy of 1970s New York. This work, created when the artist was just 19, shows an early exploration of the universal symbols and direct communication that would define his later public art.
- Artist
- Keith Haring
- Date
- 1977
- Medium
- Color lithograph on white wove paper
- Location
- Art Institute of Chicago
- Dimensions
- Image: 57.7 × 41.6 cm (22 3/4 × 16 7/16 in.); Sheet: 76 × 56.4 cm (29 15/16 × 22 1/4 in.)
What to Notice
Four details hide in plain sight. Here’s where to look.

The figure's black and white halves, clearly delineating "Day and Night."
The radiating lines, suggesting movement and energy around the central form.
The figure's raised arms and bent legs, evoking a dance or ritual.
The simplified, almost pictogram-like quality of the human form.
Keith Haring
1958–1989 · United StatesKeith Haring transformed New York City subway chalk drawings into a globally recognized visual language, addressing urgent social issues with his iconic Radiant Baby and dancing figures.
Further Works by Haring
More from Postmodernism
More works to explore
Beyond Haring and Postmodernism: works from the same years, and from the other movements Egypt: Day and Night belongs to.
Same movement · Contemporary Art
Sun Spot
Yayoi Kusama · 1953 · Art Institute of Chicago
Same era · 1960s–1990s
Four Mona Lisas
Andy Warhol · 1978 · Art Institute of Chicago
Same era · 1960s–1990s
La grande bellezza
Pierre Alechinsky · 1965
Same era · 1960s–1990s
Essai
Sam Francis · 1963 · Art Institute of Chicago
Same era · 1960s–1990s
Alka Seltzer
Roy Lichtenstein · 1966 · Art Institute of Chicago
Same era · 1960s–1990s
Untitled (Portrait of Ross in L.A.)
Félix González-Torres · 1991
Same era · 1960s–1990s
Captain Joseph Medill Patterson
Ivan Puni · 1962 · Art Institute of Chicago
Same era · 1960s–1990s
Corpse and Mirror II
Jasper Johns · 1974 · Art Institute of Chicago
Same era · 1960s–1990s
Untitled (Brown and Gray)
Mark Rothko · 1969 · The Metropolitan Museum of Art
Same era · 1960s–1990s
Olive Picking
Reuven Rubin · 1967 · Rubin Museum
Same era · 1960s–1990s
By the Sea
Yosl Bergner · 1962 · Israel Museum
Same era · 1960s–1990s
A Face from Georgia
Ivan Albright · 1970 · Art Institute of Chicago
Same era · 1960s–1990s
Krach
Philip West · 1987 · Art Institute of Chicago





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