“Stop to examine this volume, a historical catalog of Indian kincob textiles from the late 19th century. It offers a tangible connection to the rich artistry of Indian weaving and the systematic efforts to document these valuable fabrics during the British colonial period.”
This bound volume, titled "Collection of specimens and illustrations of the textile manufactures of India. Second series: Kincobs, Nos. 401 to 458," offers a fascinating glimpse into the intricate world of Indian textiles from the late 19th century. Although the medium is not specified, its purpose was to document and showcase a range of kincobs, a type of brocaded silk fabric often interwoven with gold or silver thread. Such collections were crucial for understanding and appreciating the diverse craftsmanship of Indian artisans during the British Raj. The meticulous numbering of each specimen (401 to 458) suggests a comprehensive, systematic effort to categorize and preserve examples of these valuable textiles. It’s a historical artifact that speaks to both the artistry of the fabrics themselves and the colonial-era impulse to document and catalog cultural production.
- Artist
- John Haynes-Williams
- Date
- 1873
- Location
- The Metropolitan Museum of Art
- Dimensions
- (h x w x d) 13 13/16" x 10 7/16" x 1 15/16" (33.5 x 26.5 x 5cm)
- Collection
- The Libraries
What to Notice
Four details hide in plain sight. Here’s where to look.

The title's emphasis on "Second series" implies a larger, ongoing project.
The specific numbering, "Nos. 401 to 458," indicates a detailed cataloging system.
The term "Kincobs" points to a particular type of brocaded Indian textile.
The binding itself suggests a formal, published collection for study.
Stand in front of it and listen
The full narration walks you through Collection of specimens and illustrations of the textile manufactures of India. Second series : Kincobs, Nos. 401 to 458 — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
John Haynes-Williams
1836–1908 · United Kingdom of Great Britain and IrelandJohn Haynes-Williams was a British painter known for his detailed oil paintings, including works like 'Alice' from 1892.
Further Works by Haynes-Williams
My Pupil
1870 · Scarborough Art Gallery
Adiós (Farewell)
1871 · Herbert Art Gallery and Museum
The Talisman
1871 · National Museum Cardiff
A Spanish Warrior
1873 · Touchstones Rochdale
Spanish Dancer
1873 · Manchester Art Gallery
Will He Come?
1875 · National Museum Cardiff
The Ancestor on the Tapestry
1876 · Walker Art Gallery
Ars Longa, Vita Brevis
1877 · National Gallery
More works to explore
Beyond Haynes-Williams: works from the same years.
Same era · 1850s–1880s
Cart with Black Ox
Vincent van Gogh · 1884 · Portland Art Museum
Same era · 1850s–1880s
Chariot Race
Léon-Victor Dupré · 1876 · Art Institute of Chicago
Same era · 1850s–1880s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1850s–1880s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same era · 1850s–1880s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1850s–1880s
After the Bullfight
Mary Cassatt · 1873 · Art Institute of Chicago
Same era · 1850s–1880s
A Turn in the Road
Alfred Sisley · 1873 · Art Institute of Chicago
Same era · 1850s–1880s
The Artist's House at Argenteuil
Claude Monet · 1873 · Art Institute of Chicago
Same era · 1850s–1880s
The Dance Class
Edgar Degas · 1873 · National Gallery of Art
Same era · 1850s–1880s
An Alpine Scene
Gustave Courbet · 1874 · Art Institute of Chicago
Same era · 1850s–1880s
Boating
Édouard Manet · 1874 · Metropolitan Museum of Art
Same era · 1850s–1880s
Still Life with Apples and Pitcher
Camille Pissarro · 1872 · The Metropolitan Museum of Art
