“This John Marin watercolor captures the vibrant energy of New York City's skyline in 1910, transforming solid buildings into a shimmering, almost abstract vision through experimental technique.”
In this dynamic watercolor, a cluster of New York City buildings seems to shimmer and sway, as if viewed through heat haze or reflected on water. The scene, possibly captured from the Brooklyn Bridge, transforms the dense urban skyline into a vibrant, almost dreamlike vision. The artist, John Marin, used a fluid, improvisational technique, allowing the watercolors to bleed and blot across the paper. Notice the warm and cool color contrasts, a palette he would refine into iridescent effects in later works. This piece is one of several sketches from 1910 that explore the city from the Hudson River, each demonstrating a distinct approach to watercolor and a growing desire to experiment with the medium.
- Artist
- John Marin
- Date
- 1910
- Medium
- Watercolor with blotting, over graphite, on lightweight, slightly textured, off-white wove paper, laid down on ivory wove card
- Location
- Art Institute of Chicago
- Dimensions
- 18.7 × 23.1 cm (7 3/8 × 9 1/8 in.)
- Collection
- Prints and Drawings
- Culture
- United States
- Credit line
- Alfred Stieglitz Collection
What to Notice
Four details hide in plain sight. Here’s where to look.

The way the buildings seem to lean and shift, almost like they're in motion.
Warm yellows and oranges contrasting with cool blues and grays.
Areas where the watercolor has softly blurred and blotted.
The delicate graphite lines beneath the washes of color.
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John Marin
John Marin captured the dynamic energy of New York City and the rugged beauty of the Maine coast in his groundbreaking abstract watercolors.
Further Works by Marin
More works to explore
Beyond Marin: works from the same years.
Same era · 1890s–1920s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1890s–1920s
Pfortensteg Chemnitz
Ernst Ludwig Kirchner · 1910 · Museum Frieder Burda
Same era · 1890s–1920s
Soldier on a Horse
Mikhail Larionov · 1911 · Tate
Same era · 1890s–1920s
Daniel-Henry Kahnweiler
Pablo Picasso · 1910 · Art Institute of Chicago
Same era · 1890s–1920s
Bathers by a River
Henri Matisse · 1909 · Art Institute of Chicago
Same era · 1890s–1920s
Birth
Marc Chagall · 1911 · Art Institute of Chicago
Same era · 1890s–1920s
Little Harbor in Normandy
Georges Braque · 1909 · Art Institute of Chicago
Same era · 1890s–1920s
Maude Adams (1872–1953) as Joan of Arc
Alphonse Mucha · 1909 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Crouching Nude in Shoes and Black Stockings, Back View
Egon Schiele · 1912 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Consolation
Edvard Munch · 1907 · Munch Museum
Same era · 1890s–1920s
Sellar Alp, Dolomites
John Singer Sargent · 1913 · The Metropolitan Museum of Art
Same era · 1890s–1920s
The Magic Foot-ball, 'I thought you were wrong,' he said in triumph. 'You said it was nine! Stupid!'
Norman Rockwell · 1914 · Norman Rockwell Museum

