“This charcoal drawing captures a tender, introspective moment of a young boy, subtly contrasted with the profile of an older man. It's a vivid example of how artists used drawing to explore human emotion and character.”
This intimate drawing captures a young boy in a moment of quiet contemplation, his hand resting thoughtfully on his head. His gaze is directed downward, suggesting introspection or perhaps a response to the unseen figure of the old man whose profile is subtly sketched into the background. The artist used charcoal, a medium known for its expressive potential, to render the boy's soft curls and the delicate folds of his shirt. White chalk highlights catch the light on his forehead and shoulder, giving a sense of volume and immediacy. Made in 1785, this study offers a glimpse into how artists of the period explored human emotion and character through focused observation, often using such drawings as preparation for larger, more formal portraits. The contrast between the boy's youth and the implied wisdom of the older man adds a layer of narrative, inviting viewers to ponder their relationship.
- Artist
- Samuel Drummond
- Date
- 1785
- Medium
- Charcoal heightened with white chalk, on tan laid paper
- Location
- Art Institute of Chicago
- Dimensions
- 22.5 × 17.5 cm (8 7/8 × 6 15/16 in.)
What to Notice
Four details hide in plain sight. Here’s where to look.

The boy's downcast eyes and the pensive tilt of his head.
The subtle, almost ghost-like profile of the old man in the upper left.
The way white chalk defines the boy's curls and the highlights on his shirt.
The texture of the tan laid paper, visible through the charcoal.
Samuel Drummond
1766–1844 · EnglandSamuel Drummond, a British painter, captured the likenesses of notable figures like Walter Scott and documented maritime history with grand oil paintings.
Further Works by Drummond
Louis-Philippe-Joseph, Duke of Orleans 'Philippe Egalité' (1747-1793) (after Sir Joshua Reynolds)
1785 · National Trust
John Blake (1770–1810), Mayor of Maidstone (1799)
1799 · Maidstone Museum and Bentlif Art Gallery
Repulsing a boarding party
1805 · Royal Museums Greenwich
The Death of Nelson at the Battle of Trafalgar, 21 October 1805
1806 · Royal Museums Greenwich
Captain William Rogers capturing the 'Jeune Richard', 1 October 1807
1808 · Royal Museums Greenwich
James Asperne (1737–1820)
1813 · Museum of Freemasonry
Sir Claudius Stephen Hunter (1775–1851), Lord Mayor of London (1811)
1813 · Guildhall Art Gallery
John Reeves (1752–1829)
1814 · Eton College
More works to explore
Beyond Drummond: works from the same years.
Same era · 1770s–1800s
Andromache Mourning Hector
Jacques-Louis David · 1783 · Pushkin Museum of Fine Arts
Same era · 1770s–1800s
A Limekiln, Possibly at Briton Ferry in South Wales
J. M. W. Turner · 1797 · Yale Center for British Art
Same era · 1770s–1800s
The Monk by the Sea
Caspar David Friedrich · 1800 · Alte Nationalgalerie
Same era · 1770s–1800s
Portrait of a Man
Benjamin West · 1790 · Art Institute of Chicago
Same era · 1770s–1800s
Milton Dictating to His Daughter
Henry Fuseli · 1794 · Art Institute of Chicago
Same era · 1770s–1800s
Portrait of a Lady
John Smart of Ipswich · 1773 · Yale Center for British Art
Same era · 1770s–1800s
Mr Jackson
Thomas Stewardson · 1800 · Abbot Hall Art Gallery
Same era · 1770s–1800s
Self-Portrait
Francisco Goya · 1783 · Musée des Beaux-Arts d'Agen
Same era · 1770s–1800s
Sappho embracing Love
John Mannin · 1786 · The Metropolitan Museum of Art
Same era · 1770s–1800s
The Right Honorable Henry Fox, Lord Holland
William Hogarth · 1782 · The Metropolitan Museum of Art
Same era · 1770s–1800s
Punch Bowl
Artist Unknown - The Mercat Cross, Aberdeen · 1789 · Art Institute of Chicago
Same era · 1770s–1800s
Looking Glass
unknown composer author · 1790 · Art Institute of Chicago
