“Stop to see how Elizabeth Catlett captures a universal human emotion of fear and concern for family through powerful, graphic lines, making a deeply personal statement about the Black female experience.”
In this powerful linocut, a woman’s face emerges from a stark black background, her eyes wide with a palpable sense of anxiety. Her hands, rendered with a raw simplicity, press against her cheeks, conveying a universal gesture of distress. The bold, graphic lines common to linocut printing emphasize the tension in her expression and the weight of her concern. This print is one of fifteen in Elizabeth Catlett’s iconic series, "The Black Woman," which celebrates the strength and resilience of Black women while also acknowledging the struggles they faced. Created in 1947, during a period when Catlett was deeply engaged with social realism and printmaking in Mexico, this work captures a deeply personal and emotionally resonant moment, reflecting a specific fear for the well-being of loved ones amidst a challenging world.
- Artist
- Elizabeth Catlett
- Date
- 1947
- Medium
- Linocut in black on cream wove paper
- Location
- Art Institute of Chicago
- Dimensions
- Image: 21.3 × 15.5 cm (8 7/16 × 6 1/8 in.); Sheet: 38.5 × 28.7 cm (15 3/16 × 11 5/16 in.)
What to Notice
Four details hide in plain sight. Here’s where to look.
![And a Special Fear for My Loved Ones, from The Black Woman [formerly The Negro Woman] (published 1946-47)](https://images.artwhisper.app/artworks/5cfebb4f-9430-4a83-a4e5-07dbdecda301/5ed0c56e-89c8-4480-8bcb-693f6735d31c_sm.jpg)
The way her hands frame her face, emphasizing her worried expression.
The strong, dark lines of the linocut create a dramatic contrast.
Her wide, dark eyes convey a sense of vigilance and fear.
The texture of the cream wove paper, visible around the stark black image.
Elizabeth Catlett
Elizabeth Catlett, a sculptor and graphic artist, powerfully depicted the Black-American experience, often focusing on the female perspective, with works like 'Sharecropper' and 'The Negro Woman' series.
More works to explore
Beyond Catlett: works from the same years.
Same era · 1930s–1960s
Greyed Rainbow
Jackson Pollock · 1953 · Art Institute of Chicago
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Sun Spot
Yayoi Kusama · 1953 · Art Institute of Chicago
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Deux personnages
Pierre Alechinsky · 1950
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Impregnazione
Piero Manzoni · 1958
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The Indestructibles
Philip Evergood · 1946 · Art Institute of Chicago
Same era · 1930s–1960s
The Temptation of St. Anthony
Ivan Puni · 1945 · Art Institute of Chicago
Same era · 1930s–1960s
Nighthawks
Okada Saburosuke · 1942 · Art Institute of Chicago
Same era · 1930s–1960s
Red No. 2
Sam Francis · 1954 · Art Institute of Chicago
Same era · 1930s–1960s
Mattamathics
Max Ernst · 1948 · Art Institute of Chicago
Same era · 1930s–1960s
The Dugout
Norman Rockwell · 1948 · Art Institute of Chicago
Same era · 1930s–1960s
Untitled (Woman-Bottle)
René Magritte · 1943 · Art Institute of Chicago
Same era · 1930s–1960s
Wheatfield
Georges Braque · 1951 · Art Institute of Chicago
![And a Special Fear for My Loved Ones, from The Black Woman [formerly The Negro Woman] (published 1946-47) by Elizabeth Catlett](https://images.artwhisper.app/artworks/5cfebb4f-9430-4a83-a4e5-07dbdecda301/5ed0c56e-89c8-4480-8bcb-693f6735d31c_lg.jpg)