“Stop to appreciate one of the earliest known photographs of a still life, a rare example of photography's beginnings before the artist became known for his iconic American West landscapes.”
In this early photograph, a bounty of fruit is arranged with a casual elegance, capturing the subtle textures and forms of nature through the nascent medium of photography. A cluster of grapes spills over, their individual spheres catching the light, while an apple and other fruits are nestled together, suggesting abundance. The soft focus and rich tonal variations are characteristic of the salted paper print, one of the earliest photographic processes, which rendered images with a painterly quality. This work, created in the early 1840s, predates the artist's later renown for capturing sweeping landscapes of the American West. Here, the focus is intimate, a quiet study of domestic still life that explores photography's potential for detailed observation and artistic composition, just a few years after the medium's invention.
- Artist
- William Henry Jackson
- Date
- 1844
- Medium
- Salted paper print from paper negative
- Location
- The Metropolitan Museum of Art
- Collection
- Photographs
- Credit line
- Gift of Jean Horblit, in memory of Harrison D. Horblit, 1994
What to Notice
Four details hide in plain sight. Here’s where to look.

Observe the delicate bloom on the grapes, a testament to early photographic detail.
Notice the soft, almost blurred edges, typical of early salted paper prints.
See how the light plays across the fruit, highlighting their varied textures.
Look for the subtle variations in tone, from deep shadows to bright highlights.
William Henry Jackson
1843–1942 · United StatesJackson's Yellowstone photos literally created America's first national park — shot with mules, glass plates, and sheer determination.
Further Works by Jackson
More works to explore
Beyond Jackson: works from the same years.
Same era · 1820s–1850s
The Cottage by the Roadside, Stormy Sky
Léon-Victor Dupré · 1855 · Art Institute of Chicago
Same era · 1820s–1850s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same era · 1820s–1850s
Snow Storm: Steam-Boat off a Harbour's Mouth
J. M. W. Turner · 1842 · National Gallery
Same era · 1820s–1850s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same era · 1820s–1850s
Wooded Landscape
Gustave Courbet · 1848 · Art Institute of Chicago
Same era · 1820s–1850s
Arab Horseman Attacked by a Lion
Eugène Delacroix · 1849 · Art Institute of Chicago
Same era · 1820s–1850s
Mount Chocorua and Moat Mountain from North Conway
William Hart · 1850
Same era · 1820s–1850s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
Same era · 1820s–1850s
Designs for a Decorated Dish, or Platter, and a Biscuit Barrel
Alfred Henry Forrester [Alfred Crowquill] · 1845 · The Metropolitan Museum of Art
Same era · 1820s–1850s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1820s–1850s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1820s–1850s
Porträt der Elizaveta Mazurina Vladimirona
Vasily Andreevich Tropinin · 1844


