“Stop and immerse yourself in this vibrant "Day in the Country." Maurice Prendergast uses a mosaic-like approach to color and form, capturing the lively atmosphere of a leisurely afternoon with dazzling light and rhythmic patterns.”
In "A Day in the Country," Maurice Prendergast invites us into a vibrant, sun-drenched scene, bustling with figures enjoying a leisurely afternoon. The composition feels like a mosaic, built from small, distinct dabs and strokes of color that coalesce into trees, parasols, and distant buildings. Look closely at the way the forms are simplified, almost flattened, allowing the bright, unmodulated colors to create a rhythmic pattern across the paper. This isn't a precise, photographic rendering, but rather an impression of joyful movement and light, capturing the essence of a public park or seaside promenade. The artist’s use of watercolor, with touches of gouache, lends a particular luminosity and transparency to the scene, making the light feel almost palpable as it filters through the foliage and bounces off the figures.
- Artist
- Maurice Brazil Prendergast
- Date
- 1920
- Medium
- Watercolor, with touches of gouache over graphite, on white wove paper
- Location
- Art Institute of Chicago
- Dimensions
- 35.7 × 51 cm (14 1/16 × 20 1/8 in.)
- Collection
- Prints and Drawings
- Culture
- United States
- Credit line
- Olivia Shaler Swan Memorial Collection
What to Notice
Five details hide in plain sight. Here’s where to look.

The figures clustered in the foreground, each a distinct burst of color.
The dappled light filtering through the trees on the left, created by small strokes.
The distant architectural elements, rendered with simplified, block-like forms.
The vibrant reds and blues of the clothing and parasols that punctuate the scene.
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Maurice Brazil Prendergast
Maurice Prendergast captured the lively spirit of modern life with his mosaic-like colors and flattened forms, from Venetian canals to Boston parks.
More works to explore
Beyond Prendergast: works from the same years.
Same era · 1900s–1930s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1900s–1930s
Self-Portrait with Cat
Ernst Ludwig Kirchner · 1920 · Museum Folkwang
Same era · 1900s–1930s
Bull's Head
Mikhail Larionov · 1913 · Tretyakov Gallery
Same era · 1900s–1930s
Memories of the Past
Ivan Puni · 1927 · Art Institute of Chicago
Same era · 1900s–1930s
American Gothic
Okada Saburosuke · 1930 · Art Institute of Chicago
Same era · 1900s–1930s
Dada Gauguin
Max Ernst · 1920 · Art Institute of Chicago
Same era · 1900s–1930s
Schoolhouse
Paul Klee · 1920 · Art Institute of Chicago
Same era · 1900s–1930s
Interior at Nice
Henri Matisse · 1919 · Art Institute of Chicago
Same era · 1900s–1930s
The Fiddler
Norman Rockwell · 1921 · Brandywine Museum of Art
Same era · 1900s–1930s
Man and Trees, Florida
John Singer Sargent · 1917 · The Metropolitan Museum of Art
Same era · 1900s–1930s
Seated Woman, Back View
Egon Schiele · 1917 · The Metropolitan Museum of Art
Same era · 1900s–1930s
The Praying Jew
Marc Chagall · 1923 · Art Institute of Chicago
