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Nymphs Leaving the Bath by Jean Baptiste Camille Corot

Nymphs Leaving the Bath

Jean Baptiste Camille Corot · 1843

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DETAILS
Artist
Jean Baptiste Camille Corot
Date
1843
Location
Art Institute of Chicago
ART MOVEMENTS
Barbizon schoolNaturalism
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THE ARTIST

Jean Baptiste Camille Corot

Jean-Baptiste-Camille Corot, a pivotal French landscape painter, masterfully bridged Neo-Classicism with the emerging plein-air innovations of Impressionism.

Read Corot’s full story
MORE FROM THIS ARTIST

Further Works by Corot

Souvenir of Tuscany Souvenir of Tuscany 1845 · Art Institute of Chicago Remembrance of Italy Remembrance of Italy 1866 · Art Institute of Chicago
EXPLORE THE MOVEMENT

More from Naturalism

See the movement →
Young Woman Young Woman Millet · 1844 · Art Institute of Chicago Wooded Landscape Wooded Landscape Courbet · 1848 · Art Institute of Chicago C'est peut-être bon...mais c'est égal..., from Les Hippophages, published in Le Charivari, October 23, 1856 C'est peut-être bon...mais c'est égal..., from Les Hippophages, published in Le Charivari, October 23, 1856 Daumier · 1856 · The Metropolitan Museum of Art
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More works to explore

Beyond Corot and Naturalism: works from the same years, and from the other movements Nymphs Leaving the Bath belongs to.

The Estuary Farm Same movement · Barbizon school The Estuary Farm Léon-Victor Dupré · 1831 · Art Institute of Chicago The Cottage by the Roadside, Stormy Sky Same era · 1820s–1850s The Cottage by the Roadside, Stormy Sky Léon-Victor Dupré · 1855 · Art Institute of Chicago Woman Feeding Chickens Same movement · Barbizon school Woman Feeding Chickens Jean-François Millet · 1850 · Art Institute of Chicago Snow Storm: Steam-Boat off a Harbour's Mouth Same era · 1820s–1850s Snow Storm: Steam-Boat off a Harbour's Mouth J. M. W. Turner · 1842 · National Gallery The Virgin Adoring the Host Same era · 1820s–1850s The Virgin Adoring the Host Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts Hamlet and Horatio in the Graveyard Same era · 1820s–1850s Hamlet and Horatio in the Graveyard Eugène Delacroix · 1839 · Department of Paintings of the Louvre Mount Chocorua and Moat Mountain from North Conway Same era · 1820s–1850s Mount Chocorua and Moat Mountain from North Conway William Hart · 1850 Portrait of a Woman, Called Héloïse Abélard Same era · 1820s–1850s Portrait of a Woman, Called Héloïse Abélard Gustave Courbet · 1850 · The Metropolitan Museum of Art
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