“Stop to appreciate this early work by Edgar Degas, where a young woman and an ibis evoke a sense of classical antiquity. It's a rare glimpse into his formative years, before he became known for his iconic ballet dancers and café scenes.”
In this early painting, a young woman in a classical setting gazes out, her profile silhouetted against a pale background. She wears a simple white tunic, her hair pulled back, giving her a timeless, almost sculptural quality. The large ibis beside her, with its long, curved beak, creates a striking counterpoint to her serene posture. This work, from around 1860, shows the artist exploring themes that would later evolve into his more familiar scenes of modern life, but here he engages with historical subjects, a common practice for artists of his generation. The muted palette and strong contours suggest a focus on form and composition, rather than the fleeting light and color that would define the Impressionist movement a decade later. It's a quiet, contemplative portrait, inviting viewers to ponder the enigmatic connection between the woman and the ancient bird.
- Artist
- Edgar Degas
- Date
- 1860
- Location
- Metropolitan Museum of Art
What to Notice
Five details hide in plain sight. Here’s where to look.

The ibis's long, slender legs and delicate feathers.
The subtle blush on the woman's cheek.
The way her hair is intricately braided and pinned.
The classical folds of her white tunic.
1 more detail is waiting.
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Edgar Degas
1834–1917 · FranceCaptured ballet dancers and modern Parisian life in pastels with an eye as precise as a photographer's lens.
Further Works by Degas
Young Spartan Girls Challenging Boys
1860 · Art Institute of Chicago
A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)
1865 · The Metropolitan Museum of Art
The Rehearsal Onstage
1871 · The Metropolitan Museum of Art
The Dance Class
1873 · National Gallery of Art
Henri Degas and His Niece Lucie Degas (The Artist's Uncle and Cousin)
1875 · Art Institute of Chicago
Yellow Dancers (In the Wings)
1875 · Art Institute of Chicago
Portrait after a Costume Ball (Portrait of Madame Dietz-Monnin)
1877 · Art Institute of Chicago
Café Singer
1879 · Art Institute of Chicago
More from Impressionism
More works to explore
Beyond Degas and Impressionism: works from the same years.
Same era · 1840s–1870s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1840s–1870s
The Cottage by the Roadside, Stormy Sky
Léon-Victor Dupré · 1855 · Art Institute of Chicago
Same era · 1840s–1870s
Monsieur Suisse
Gustave Courbet · 1861 · The Metropolitan Museum of Art
Same era · 1840s–1870s
Pools by the Seaside
William Hart · 1861 · Buffalo AKG Art Museum
Same era · 1840s–1870s
An Arab Warrior
Mariano Fortuny Marsal · 1862 · Hispanic Society of America
Same era · 1840s–1870s
Lion Hunt
Eugène Delacroix · 1858 · Museum of Fine Arts Boston
Same era · 1840s–1870s
The Sheepshearers
Jean-François Millet · 1857 · Art Institute of Chicago
Same era · 1840s–1870s
Beggar with Oysters (Philosopher)
Édouard Manet · 1864 · Art Institute of Chicago
Same era · 1840s–1870s
Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie
Jean-Auguste-Dominique Ingres · 1853 · Metropolitan Museum of Art
Same era · 1840s–1870s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
Same era · 1840s–1870s
On the Bank of the Seine, Bennecourt
Claude Monet · 1868 · Art Institute of Chicago
Same era · 1840s–1870s
Mountain View at Bormio (from Switzerland 1869 Sketchbook)
John Singer Sargent · 1869 · The Metropolitan Museum of Art




