“Stop and examine this energetic drawing, a direct study for David Smith's iconic *Cubi VII* sculpture. It reveals the artist's initial ideas for how light, form, and space would interact in his monumental work.”
This vibrant study, with its bold applications of spray enamel, pastel, and oil paint, offers a rare glimpse into the creative process behind one of David Smith's monumental stainless steel sculptures, Cubi VII. Here, abstract forms in black, blue, and ochre seem to dance across the cream paper, suggesting the interplay of light and shadow that would become central to the finished three-dimensional work. The rapid, almost calligraphic marks of pastel contrast with the softer, atmospheric effects of the spray enamel, hinting at the polished surfaces and reflective qualities of the future sculpture. This drawing is not merely a blueprint but a dynamic exploration of volume and space, capturing the energy and ambition of Smith's vision before it was translated into steel.
- Artist
- David Smith
- Date
- 1963
- Medium
- Black, blue and ochre spray enamel with black pastel and white oil paint on cream laid paper
- Location
- Art Institute of Chicago
- Dimensions
- Max: 40.8 × 29.7 cm (16 1/8 × 11 3/4 in.)
What to Notice
Five details hide in plain sight. Here’s where to look.

The way the spray enamel creates soft, blurred edges.
Sharp black pastel lines that define the geometric shapes.
Small touches of white oil paint highlighting specific areas.
The layering of colors, especially where blue overlaps ochre.
1 more detail is waiting.
See all 5 in Art Whisper →David Smith
David Smith transformed steel into monumental, expressive sculptures, pushing the boundaries of what metal could convey in art.
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