David Smith, 1963
This striking stainless steel sculpture, *Cubi VII*, reflects its surroundings and shifts its form as you move, inviting you to reconsider balance and perception. Its dynamic surfaces make it a living part of the garden.
Standing tall in the Art Institute's north garden, this gleaming sculpture, *Cubi VII*, immediately catches the eye with its reflective surfaces and seemingly precarious balance. Fashioned from industrial stainless steel in 1963, its large, geometric forms evoke a sense of monumental solidity, yet the arrangement of cubes and cylinders suggests a figure in motion, perhaps a torso with limbs. As you move around it, the sculpture transforms, shifting from a recognizable form to an interplay of architectonic volumes that challenge fixed notions of balance and a central axis. The artist used a wire-brush technique to create a gestural quality on the steel, allowing the polished surfaces to pick up and mirror the shifting light of its outdoor setting, making the work feel alive and responsive to its environment. This dynamic interaction between solid form, reflective surface, and surrounding space is what makes *Cubi VII* so compelling.
Observe the wire-brushed texture on the stainless steel, giving the surface a painterly quality.
Notice how the sculpture's reflective surfaces mirror the sky and surrounding architecture.
Look for the way the stacked geometric forms seem to defy gravity.
This striking stainless steel sculpture, *Cubi VII*, reflects its surroundings and shifts its form as you move, inviting you to reconsider balance and percepti…
David Smith transformed steel into monumental, expressive sculptures, pushing the boundaries of what metal could convey in art.
Read David's full story in Art Whisper