“Stop and witness the dramatic final moments of Emperor Vitellius, dragged through Rome by an enraged mob. This painting, a sensational debut by Georges Rochegrosse, vividly captures the brutality of ancient Roman justice and the fall of an emperor.”
This painting plunges us into the brutal final moments of the Roman Emperor Vitellius, dragged through the streets by an enraged populace. Georges Rochegrosse made his Paris Salon debut with this dramatic work in 1882, immediately establishing his penchant for historical subjects rendered on a colossal scale and with intense emotion. The scene unfolds on the Gemonian Stairs, a notorious site in ancient Rome where the bodies of executed criminals were displayed and often desecrated. Here, Vitellius is depicted not as a dignified emperor, but as a helpless victim, a long dagger pressed to his throat, his fate sealed by the mob. The artist revels in the horrific details, drawing the viewer into the raw violence and chaos of the moment. This vivid portrayal captures the ruthlessness of political power struggles in the Roman Empire, where even an emperor could face such a humiliating and violent end.
- Artist
- Georges Rochegrosse
- Date
- 1882
- Location
- Centre national des arts plastiques
What to Notice
Five details hide in plain sight. Here’s where to look.

The dagger held to Vitellius's throat, a grim detail of his impending execution.
The Gemonian Stairs, identifiable by the steep incline and surrounding architecture.
The expressions of the surrounding crowd, a mix of fury and morbid curiosity.
The disheveled state of Vitellius, stripped of imperial dignity.
1 more detail is waiting.
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Georges Rochegrosse
1859–1938 · FranceGeorges Rochegrosse was a French painter known for colossal historical scenes, often depicting brutal subjects, and his opulent Symbolist work like 'The Knight of Flowers.'
Further Works by Rochegrosse
A Marine
1874 · Art Institute of Chicago
Final Study for "Bathers at Asnières"
1883 · Art Institute of Chicago
Flower Girl in Holland
1887 · Art Institute of Chicago
The Annunciation
1887 · Art Institute of Chicago
Early Morning, Tarpon Springs
1892 · Art Institute of Chicago
The Home of the Heron
1893 · Art Institute of Chicago
After a Summer Shower
1894 · Art Institute of Chicago
Love of Winter
1914 · Art Institute of Chicago
More works to explore
Beyond Rochegrosse: works from the same years.
Same era · 1860s–1890s
Cart with Black Ox
Vincent van Gogh · 1884 · Portland Art Museum
Same era · 1860s–1890s
Madame Léon Clapisson
Léon-Victor Dupré · 1883 · Art Institute of Chicago
Same era · 1860s–1890s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same era · 1860s–1890s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1860s–1890s
Cliff Walk at Pourville
Claude Monet · 1882 · Art Institute of Chicago
Same era · 1860s–1890s
Woman and Child at the Well
Camille Pissarro · 1882 · Art Institute of Chicago
Same era · 1860s–1890s
Woman in a Garden
Berthe Morisot · 1882 · Art Institute of Chicago
Same era · 1860s–1890s
Potted Plant
Edvard Munch · 1881 · Munch Museum
Same era · 1860s–1890s
Scene at Napanoch
William Hart · 1883 · The Metropolitan Museum of Art
Same era · 1860s–1890s
Seated Bather
Pierre-Auguste Renoir · 1883 · Fogg Museum
Same era · 1860s–1890s
The Little One Is Dreaming, Etude
Paul Gauguin · 1881 · Ordrupgaard
Same era · 1860s–1890s
Café Singer
Edgar Degas · 1879 · Art Institute of Chicago
