“This photograph gives us a rare, elevated glimpse into Lahore in 1863, revealing the city's historic architecture and vibrant daily life through the rich detail of an early albumen print.”
From an elevated vantage point, this albumen print offers a sweeping panorama of Lahore in 1863, capturing the city's intricate blend of historic architecture and daily life. The view, taken from Huzeer Khan's house, allows us to look beyond immediate street scenes into the sprawling urban fabric. What makes this image particularly compelling is its ability to convey both the grandeur of Mughal-era structures and the subtle textures of a bustling city. The medium itself, an albumen print, lends a rich tonal range, from the deep shadows that define architectural details to the soft, diffused light over distant horizons. This photograph is part of a larger album that documents Northern India, providing a valuable historical record of these sites before later restorations, allowing us to see a moment frozen in time, almost as if standing on that very rooftop.
- Artist
- Samuel Bourne
- Date
- 1863
- Medium
- albumen print
- Location
- Cleveland Museum of Art
- Dimensions
- [object Object]
- Collection
- Photography
- Culture
- England
- Credit line
- Severance and Greta Millikin Purchase Fund
What to Notice
Five details hide in plain sight. Here’s where to look.

The intricate patterns of rooftops and courtyards below.
The distant minarets and domes of the city's mosques and palaces.
Small figures moving through the streets, hinting at daily activity.
The subtle play of light and shadow across the varied textures of buildings.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through The City of Lahore. Another View Taken from Huzeer Khan's House — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Samuel Bourne
1834–1912 · United Kingdom of Great Britain and IrelandA bank clerk who quit his job, sailed to India, and hauled cameras up 18,600-foot Himalayan passes to capture 2,200 images.
Further Works by Bourne
Agra. The Gateway of the Gardens Surrounding the Taj
1863 · Cleveland Museum of Art
Agra. The Taj, the Central of Principal City
1863 · Cleveland Museum of Art
Agra. View of the Taj from a Corner in the Quadrangle
1863 · Cleveland Museum of Art
Agra. View of the Taj from the Garden
1863 · Cleveland Museum of Art
Agra. View of the Taj in Front of Nootkan (The Light of the World), Wife of the Emperor Akbar, View from the River
1863 · Cleveland Museum of Art
A Village Scene, Near Calcutta
1863 · Cleveland Museum of Art
Delhi. Gateway of Allahood Deen's Palace, Old Delhi
1863 · Cleveland Museum of Art
Delhi. Tomb of the Emperor Shums ooo deen Allomsh, Builder of the Kootub Minar in the Ruins of Old Delhi
1863 · Cleveland Museum of Art
More works to explore
Beyond Bourne: works from the same years.
Same era · 1840s–1870s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1840s–1870s
Two Boats in a Storm
Léon-Victor Dupré · 1870 · Art Institute of Chicago
Same era · 1840s–1870s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1840s–1870s
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1840s–1870s
A Sketch
Mariano Fortuny Marsal · 1862 · Hispanic Society of America
Same era · 1840s–1870s
Fish (Still Life)
Édouard Manet · 1864 · Art Institute of Chicago
Same era · 1840s–1870s
Mount Madison from the Androscoggin River
William Hart · 1862
Same era · 1840s–1870s
Peasants Bringing Home a Calf Born in the Fields
Jean-François Millet · 1864 · Art Institute of Chicago
Same era · 1840s–1870s
Rêverie (Portrait of Gabrielle Borreau)
Gustave Courbet · 1862 · Art Institute of Chicago
Same era · 1840s–1870s
A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)
Edgar Degas · 1865 · The Metropolitan Museum of Art
Same era · 1840s–1870s
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1840s–1870s
The Beach at Sainte-Adresse
Claude Monet · 1867 · Art Institute of Chicago
