“Pause to appreciate this 1863 photograph of Emperor Iltutmish's tomb in Delhi, which captures the intricate details of 13th-century Islamic architecture before modern restorations, offering a rare glimpse into history.”
This albumen print captures the Tomb of Emperor Iltutmish (misidentified as Shums ooo deen Allomsh in the title), a monumental structure within the Qutb Minar complex in Old Delhi. The photograph, taken in 1863, presents the tomb's intricate carvings and weathered stone, framed by the stark light of the Indian sun. The composition draws the eye to the detailed Islamic calligraphy and geometric patterns that adorn the tomb's interior and exterior, a testament to 13th-century craftsmanship. The image offers a valuable historical record, showing the site before 20th-century restorations altered its appearance. It reflects the era's fascination with documenting ancient architecture and the grandeur of India's past, presenting a scene that feels both timeless and deeply rooted in its specific moment.
- Artist
- Samuel Bourne
- Date
- 1863
- Medium
- albumen print
- Location
- Cleveland Museum of Art
- Dimensions
- [object Object]
- Collection
- Photography
- Culture
- England
- Credit line
- Severance and Greta Millikin Purchase Fund
What to Notice
Five details hide in plain sight. Here’s where to look.

The intricate carvings on the tomb's facade, especially above the arches.
The play of light and shadow emphasizing the texture of the stone.
The delicate patterns of the calligraphy on the interior walls.
The scale of the tomb, suggested by the distant archways.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through Delhi. Tomb of the Emperor Shums ooo deen Allomsh, Builder of the Kootub Minar in the Ruins of Old Delhi — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Samuel Bourne
1834–1912 · United Kingdom of Great Britain and IrelandA bank clerk who quit his job, sailed to India, and hauled cameras up 18,600-foot Himalayan passes to capture 2,200 images.
Further Works by Bourne
Agra. The Gateway of the Gardens Surrounding the Taj
1863 · Cleveland Museum of Art
Agra. The Taj, the Central of Principal City
1863 · Cleveland Museum of Art
Agra. View of the Taj from a Corner in the Quadrangle
1863 · Cleveland Museum of Art
Agra. View of the Taj from the Garden
1863 · Cleveland Museum of Art
Agra. View of the Taj in Front of Nootkan (The Light of the World), Wife of the Emperor Akbar, View from the River
1863 · Cleveland Museum of Art
A Village Scene, Near Calcutta
1863 · Cleveland Museum of Art
Delhi. Gateway of Allahood Deen's Palace, Old Delhi
1863 · Cleveland Museum of Art
Delhi. View of North Side of the Jamma Musjid in Principal Mabonedau Place of Worship
1863 · Cleveland Museum of Art
More works to explore
Beyond Bourne: works from the same years.
Same era · 1840s–1870s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1840s–1870s
Two Boats in a Storm
Léon-Victor Dupré · 1870 · Art Institute of Chicago
Same era · 1840s–1870s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1840s–1870s
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1840s–1870s
A Sketch
Mariano Fortuny Marsal · 1862 · Hispanic Society of America
Same era · 1840s–1870s
Fish (Still Life)
Édouard Manet · 1864 · Art Institute of Chicago
Same era · 1840s–1870s
Mount Madison from the Androscoggin River
William Hart · 1862
Same era · 1840s–1870s
Peasants Bringing Home a Calf Born in the Fields
Jean-François Millet · 1864 · Art Institute of Chicago
Same era · 1840s–1870s
Rêverie (Portrait of Gabrielle Borreau)
Gustave Courbet · 1862 · Art Institute of Chicago
Same era · 1840s–1870s
A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)
Edgar Degas · 1865 · The Metropolitan Museum of Art
Same era · 1840s–1870s
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1840s–1870s
The Beach at Sainte-Adresse
Claude Monet · 1867 · Art Institute of Chicago
