Agra. The Taj, the Central of Principal City by Samuel Bourne

Agra. The Taj, the Central of Principal City

Samuel Bourne · 1863

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“This photograph provides a rare glimpse of the Taj Mahal and Agra in the 1860s, capturing the monument's breathtaking scale and historical context before modern restorations. It's a testament to early travel photography's ability to document distant wonders.”

ABOUT THIS WORK

This albumen print captures the majestic scale of the Taj Mahal, seen from a distance that emphasizes its architectural grandeur within the city of Agra. Taken around 1863, the photograph offers a valuable historical record, showing the iconic monument before the extensive restorations of the 20th century. The soft light and careful composition draw the eye to the Taj's gleaming white marble, contrasting with the surrounding landscape and structures. It's one of 50 images in an album that documented a journey through Northern India, from the Himalayan foothills to major cities, providing a comprehensive visual survey of the region's monuments and urban settings. The photographer, Samuel Bourne, left a career in banking in England to pursue his passion for photography in India, undertaking ambitious expeditions to capture such scenes.

DETAILS
Artist
Samuel Bourne
Date
1863
Medium
albumen print
Location
Cleveland Museum of Art
Dimensions
[object Object]
Collection
Photography
Culture
England
Credit line
Severance and Greta Millikin Purchase Fund
LOOK CLOSER

What to Notice

Four details hide in plain sight. Here’s where to look.

Agra. The Taj, the Central of Principal City
01

Observe the Taj Mahal's pristine white marble, standing out against the sky.

02

Notice the smaller structures and trees that frame the main monument.

03

Look at the subtle details of the surrounding city, hinting at its expanse.

04

See the delicate texture and tonal range characteristic of an albumen print.

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THE ARTIST

Samuel Bourne

1834–1912 · United Kingdom of Great Britain and Ireland

A bank clerk who quit his job, sailed to India, and hauled cameras up 18,600-foot Himalayan passes to capture 2,200 images.

Read Bourne’s full story
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