“This photograph provides a rare glimpse of the Taj Mahal and Agra in the 1860s, capturing the monument's breathtaking scale and historical context before modern restorations. It's a testament to early travel photography's ability to document distant wonders.”
This albumen print captures the majestic scale of the Taj Mahal, seen from a distance that emphasizes its architectural grandeur within the city of Agra. Taken around 1863, the photograph offers a valuable historical record, showing the iconic monument before the extensive restorations of the 20th century. The soft light and careful composition draw the eye to the Taj's gleaming white marble, contrasting with the surrounding landscape and structures. It's one of 50 images in an album that documented a journey through Northern India, from the Himalayan foothills to major cities, providing a comprehensive visual survey of the region's monuments and urban settings. The photographer, Samuel Bourne, left a career in banking in England to pursue his passion for photography in India, undertaking ambitious expeditions to capture such scenes.
- Artist
- Samuel Bourne
- Date
- 1863
- Medium
- albumen print
- Location
- Cleveland Museum of Art
- Dimensions
- [object Object]
- Collection
- Photography
- Culture
- England
- Credit line
- Severance and Greta Millikin Purchase Fund
What to Notice
Four details hide in plain sight. Here’s where to look.

Observe the Taj Mahal's pristine white marble, standing out against the sky.
Notice the smaller structures and trees that frame the main monument.
Look at the subtle details of the surrounding city, hinting at its expanse.
See the delicate texture and tonal range characteristic of an albumen print.
Stand in front of it and listen
The full narration walks you through Agra. The Taj, the Central of Principal City — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Samuel Bourne
1834–1912 · United Kingdom of Great Britain and IrelandA bank clerk who quit his job, sailed to India, and hauled cameras up 18,600-foot Himalayan passes to capture 2,200 images.
Further Works by Bourne
Agra. The Gateway of the Gardens Surrounding the Taj
1863 · Cleveland Museum of Art
Agra. View of the Taj from a Corner in the Quadrangle
1863 · Cleveland Museum of Art
Agra. View of the Taj from the Garden
1863 · Cleveland Museum of Art
Agra. View of the Taj in Front of Nootkan (The Light of the World), Wife of the Emperor Akbar, View from the River
1863 · Cleveland Museum of Art
A Village Scene, Near Calcutta
1863 · Cleveland Museum of Art
Delhi. Gateway of Allahood Deen's Palace, Old Delhi
1863 · Cleveland Museum of Art
Delhi. Tomb of the Emperor Shums ooo deen Allomsh, Builder of the Kootub Minar in the Ruins of Old Delhi
1863 · Cleveland Museum of Art
Delhi. View of North Side of the Jamma Musjid in Principal Mabonedau Place of Worship
1863 · Cleveland Museum of Art
More works to explore
Beyond Bourne: works from the same years.
Same era · 1840s–1870s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1840s–1870s
Two Boats in a Storm
Léon-Victor Dupré · 1870 · Art Institute of Chicago
Same era · 1840s–1870s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1840s–1870s
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1840s–1870s
A Sketch
Mariano Fortuny Marsal · 1862 · Hispanic Society of America
Same era · 1840s–1870s
Fish (Still Life)
Édouard Manet · 1864 · Art Institute of Chicago
Same era · 1840s–1870s
Mount Madison from the Androscoggin River
William Hart · 1862
Same era · 1840s–1870s
Peasants Bringing Home a Calf Born in the Fields
Jean-François Millet · 1864 · Art Institute of Chicago
Same era · 1840s–1870s
Rêverie (Portrait of Gabrielle Borreau)
Gustave Courbet · 1862 · Art Institute of Chicago
Same era · 1840s–1870s
A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)
Edgar Degas · 1865 · The Metropolitan Museum of Art
Same era · 1840s–1870s
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1840s–1870s
The Beach at Sainte-Adresse
Claude Monet · 1867 · Art Institute of Chicago
