“This print captures a humorous, chaotic moment of a broken-down carriage on a journey to the popular resort of Brighton, offering a glimpse into the unexpected challenges of 18th-century travel.”
In this humorous etching and aquatint from 1790, a group of travelers struggles with a broken-down carriage on a country road. The scene unfolds with a sense of chaotic energy, as horses rear and figures scramble. A woman in a wide-brimmed hat, perhaps the central figure, appears flustered, while others attempt to manage the situation with varying degrees of success. The title, "Sutton (An Excursion to Brighthelmstone)," suggests a journey to the popular seaside resort of Brighton (then Brighthelmstone), a common leisure activity for the fashionable set in late 18th-century England. This print captures a moment of unforeseen trouble, contrasting the idealized image of a pleasant excursion with the reality of travel's inconveniences. The artist, Samuel Robinson, uses the etching and aquatint technique to create rich tonal variations, giving depth and atmosphere to the rural landscape and the dramatic incident.
- Artist
- Samuel Robinson
- Date
- 1790
- Medium
- Etching and aquatint
- Location
- The Metropolitan Museum of Art
- Dimensions
- Sheet: 13 5/16 × 16 15/16 in. (33.8 × 43.1 cm) Plate: 13 9/16 × 10 13/16 in. (34.5 × 27.4 cm)
- Collection
- Drawings and Prints
- Credit line
- The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
What to Notice
Five details hide in plain sight. Here’s where to look.

The frantic expression on the face of the woman in the carriage.
The rearing horse, adding to the sense of disarray.
The detailed rendering of the broken carriage wheel.
The distant glimpse of a tranquil landscape, contrasting with the foreground chaos.
1 more detail is waiting.
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Further Works by Robinson
Bathing Machines (An Excursion to Brighthelmstone)
1790 · The Metropolitan Museum of Art
Cuckfield (An Excursion to Brighthelmstone)
1790 · The Metropolitan Museum of Art
Race Ground (An Excursion to Brighthelmstone)
1790 · The Metropolitan Museum of Art
Saloon at the Marine Pavillion (An Excursion to Brighthelmstone)
1790 · The Metropolitan Museum of Art
More works to explore
Beyond Robinson: works from the same years.
Same era · 1770s–1800s
A Limekiln, Possibly at Briton Ferry in South Wales
J. M. W. Turner · 1797 · Yale Center for British Art
Same era · 1770s–1800s
Andromache Mourning Hector
Jacques-Louis David · 1783 · Pushkin Museum of Fine Arts
Same era · 1770s–1800s
The Monk by the Sea
Caspar David Friedrich · 1800 · Alte Nationalgalerie
Same era · 1770s–1800s
Joseph-Antoine Moltedo (born 1775)
Jean-Auguste-Dominique Ingres · 1805 · The Metropolitan Museum of Art
Same era · 1770s–1800s
Samuel Fisher Bradford
Rembrandt Peale · 1803 · Art Institute of Chicago
Same era · 1770s–1800s
Portrait of a Man
Benjamin West · 1790 · Art Institute of Chicago
Same era · 1770s–1800s
Milton Dictating to His Daughter
Henry Fuseli · 1794 · Art Institute of Chicago
Same era · 1770s–1800s
Louis-Philippe-Joseph, Duke of Orleans 'Philippe Egalité' (1747-1793) (after Sir Joshua Reynolds)
Samuel Drummond · 1785 · National Trust
Same era · 1770s–1800s
Mrs John Smart I
John Smart of Ipswich · 1785 · Dulwich Picture Gallery
Same era · 1770s–1800s
Mrs Jackson
Thomas Stewardson · 1800 · Abbot Hall Art Gallery
Same era · 1770s–1800s
Winchester from the South
Tobias Young · 1803 · Winchester Guildhall
Same era · 1770s–1800s
Cilgerran Castle
William Havell · 1805 · National Museum Cardiff
