“This print transports you to a bustling 18th-century English seaside resort, capturing the social energy and architectural grandeur of the Marine Pavilion in Brighton. It’s a vivid snapshot of leisure and fashion from a bygone era.”
Step into the lively, if somewhat chaotic, social scene of a late 18th-century English seaside resort. This etching and aquatint captures a moment inside the Marine Pavilion at Brighthelmstone, what we now call Brighton. The room buzzes with activity: figures mingle, some seated at tables, others standing in animated conversation. Notice the ornate architectural details, from the decorative ceiling to the arched windows, which frame glimpses of the outside world. The artist, Samuel Robinson, uses the aquatint technique to create subtle tonal variations, giving depth and atmosphere to the interior. This print offers a fascinating glimpse into the leisure activities and fashion of the period, reflecting a time when such resorts were becoming popular destinations for the British elite.
- Artist
- Samuel Robinson
- Date
- 1790
- Medium
- Etching and aquatint
- Location
- The Metropolitan Museum of Art
- Dimensions
- Sheet: 13 1/16 × 16 in. (33.1 × 40.6 cm) Plate: 10 13/16 × 13 3/4 in. (27.5 × 35 cm)
- Collection
- Drawings and Prints
- Credit line
- The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
What to Notice
Five details hide in plain sight. Here’s where to look.

The varied expressions and postures of the people, from chatting to observing.
The elaborate chandeliers hanging from the high, decorated ceiling.
Details of 18th-century fashion, like powdered wigs and elegant dresses.
The small dog near the bottom left, seemingly unnoticed amidst the crowd.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through Saloon at the Marine Pavillion (An Excursion to Brighthelmstone) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Further Works by Robinson
Bathing Machines (An Excursion to Brighthelmstone)
1790 · The Metropolitan Museum of Art
Cuckfield (An Excursion to Brighthelmstone)
1790 · The Metropolitan Museum of Art
Race Ground (An Excursion to Brighthelmstone)
1790 · The Metropolitan Museum of Art
Sutton (An Excursion to Brighthelmstone)
1790 · The Metropolitan Museum of Art
More works to explore
Beyond Robinson: works from the same years.
Same era · 1770s–1800s
A Limekiln, Possibly at Briton Ferry in South Wales
J. M. W. Turner · 1797 · Yale Center for British Art
Same era · 1770s–1800s
Andromache Mourning Hector
Jacques-Louis David · 1783 · Pushkin Museum of Fine Arts
Same era · 1770s–1800s
The Monk by the Sea
Caspar David Friedrich · 1800 · Alte Nationalgalerie
Same era · 1770s–1800s
Joseph-Antoine Moltedo (born 1775)
Jean-Auguste-Dominique Ingres · 1805 · The Metropolitan Museum of Art
Same era · 1770s–1800s
Samuel Fisher Bradford
Rembrandt Peale · 1803 · Art Institute of Chicago
Same era · 1770s–1800s
Portrait of a Man
Benjamin West · 1790 · Art Institute of Chicago
Same era · 1770s–1800s
Milton Dictating to His Daughter
Henry Fuseli · 1794 · Art Institute of Chicago
Same era · 1770s–1800s
Louis-Philippe-Joseph, Duke of Orleans 'Philippe Egalité' (1747-1793) (after Sir Joshua Reynolds)
Samuel Drummond · 1785 · National Trust
Same era · 1770s–1800s
Mrs John Smart I
John Smart of Ipswich · 1785 · Dulwich Picture Gallery
Same era · 1770s–1800s
Mr Jackson
Thomas Stewardson · 1800 · Abbot Hall Art Gallery
Same era · 1770s–1800s
Winchester from the South
Tobias Young · 1803 · Winchester Guildhall
Same era · 1770s–1800s
Cilgerran Castle
William Havell · 1805 · National Museum Cardiff
