“Step into the exhilarating world of 18th-century horse racing in Brighthelmstone. This print vividly captures the social spectacle and excitement of a day at the races, offering a window into leisure and public life of the period.”
This lively etching and aquatint captures a bustling scene at a horse race in Brighthelmstone, a popular seaside resort in the late 18th century. The print, made in 1790 by Samuel Robinson, immerses us in the vibrant atmosphere of a public event, a common subject for artists of the era. You can almost hear the clamor of the crowd and the thundering hooves of the horses. The artist skillfully uses the aquatint technique to create nuanced tonal variations, giving depth and texture to the landscape and the figures. The distant town, the rolling hills, and the expansive sky all contribute to a sense of open-air excitement, a stark contrast to the more formal portraits and historical paintings often seen from this period. It offers a glimpse into the leisure activities of a diverse society, from the gentry on horseback to the common folk gathered on foot.
- Artist
- Samuel Robinson
- Date
- 1790
- Medium
- Etching and aquatint
- Location
- The Metropolitan Museum of Art
- Dimensions
- Sheet (trimmed): 13 1/4 × 16 1/4 in. (33.6 × 41.3 cm) Plate: 10 7/8 × 13 7/8 in. (27.7 × 35.2 cm)
- Collection
- Drawings and Prints
- Credit line
- The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
What to Notice
Five details hide in plain sight. Here’s where to look.

The intricate details of the horses and their riders, mid-race.
The variety of spectators, from elegant carriages to people sitting on the ground.
The distant town of Brighthelmstone (modern Brighton) on the horizon.
The subtle shading and texture created by the aquatint technique.
1 more detail is waiting.
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Further Works by Robinson
Bathing Machines (An Excursion to Brighthelmstone)
1790 · The Metropolitan Museum of Art
Cuckfield (An Excursion to Brighthelmstone)
1790 · The Metropolitan Museum of Art
Saloon at the Marine Pavillion (An Excursion to Brighthelmstone)
1790 · The Metropolitan Museum of Art
Sutton (An Excursion to Brighthelmstone)
1790 · The Metropolitan Museum of Art
More works to explore
Beyond Robinson: works from the same years.
Same era · 1770s–1800s
A Limekiln, Possibly at Briton Ferry in South Wales
J. M. W. Turner · 1797 · Yale Center for British Art
Same era · 1770s–1800s
Andromache Mourning Hector
Jacques-Louis David · 1783 · Pushkin Museum of Fine Arts
Same era · 1770s–1800s
The Monk by the Sea
Caspar David Friedrich · 1800 · Alte Nationalgalerie
Same era · 1770s–1800s
Joseph-Antoine Moltedo (born 1775)
Jean-Auguste-Dominique Ingres · 1805 · The Metropolitan Museum of Art
Same era · 1770s–1800s
Samuel Fisher Bradford
Rembrandt Peale · 1803 · Art Institute of Chicago
Same era · 1770s–1800s
Portrait of a Man
Benjamin West · 1790 · Art Institute of Chicago
Same era · 1770s–1800s
Milton Dictating to His Daughter
Henry Fuseli · 1794 · Art Institute of Chicago
Same era · 1770s–1800s
Louis-Philippe-Joseph, Duke of Orleans 'Philippe Egalité' (1747-1793) (after Sir Joshua Reynolds)
Samuel Drummond · 1785 · National Trust
Same era · 1770s–1800s
Mrs John Smart I
John Smart of Ipswich · 1785 · Dulwich Picture Gallery
Same era · 1770s–1800s
Mr Jackson
Thomas Stewardson · 1800 · Abbot Hall Art Gallery
Same era · 1770s–1800s
Winchester from the South
Tobias Young · 1803 · Winchester Guildhall
Same era · 1770s–1800s
Cilgerran Castle
William Havell · 1805 · National Museum Cardiff
