Hanging peacock
The big peacock hangs head down, wings splayed, and fills the right side. Its drop gives the quiet scene a sudden, almost violent energy.

“Stop to see this rare still life by Rembrandt, where a child gazes at two magnificently plumed peacocks, creating a striking meditation on life and death within a stone window frame.”
This painting, "Still Life with Peacocks," captures a curious moment in a stone window, featuring a young girl, perhaps a child, intently observing two dead peacocks. One hangs upside down from a wooden shutter, its vibrant plumage still striking even in death, while the other lies on a stone plinth, accompanied by a basket of fruit and a small pool of blood. The scene is unusual for its time, blending elements of portraiture with a still life, and it's one of the few still lifes attributed to Rembrandt. The dramatic juxtaposition of the living child and the opulent, deceased birds invites contemplation on themes of life, death, and the fleeting nature of beauty. This composition, with a figure framed by a stone window, was a motif that Rembrandt's student, Gerrit Dou, would later develop further in his own works.
Five details hide in plain sight. Pick one and we’ll show you exactly where to look.
The big peacock hangs head down, wings splayed, and fills the right side. Its drop gives the quiet scene a sudden, almost violent energy.
Look left, where a girl leans on a stone sill with her arms folded in front of her. She looks out with a faint smile, a living presence beside the dead birds.
On the stone ledge lies the second peacock, its dark body glossy and heavy. Its head droops over the edge, echoing the first bird's downward fall.
Study the wing feathers, built from quick, scratchy touches of light paint. They suggest soft texture and ruffled patterns without counting every feather.
On the ledge below the lower bird, a few dark marks and a small stain may be blood. They add a quiet, grim note of fresh death.
The full narration walks you through Still Life with Peacocks — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Rembrandt painted ~40 self-portraits across his life, creating history's most intimate visual autobiography.
Portrait of Johannes Wtenbogaert
1633 · Rijksmuseum
Portrait of Oopjen Coppit
1634 · Rijksmuseum
The Night Watch
1642 · Rijksmuseum
The anatomy lesson of Dr. Joan Deijman
1656 · Rijksmuseum
Lieven Willemsz van Coppenol (born about 1599, died 1671 or later)
1626 · The Metropolitan Museum of Art
Musical Company
1626 · Museum De Lakenhal
Apostle Peter
1629 · Nationalmuseum
Head of an Old Man in a Cap
1629 · Agnes Etherington Art Centre
Beyond Rembrandt and Dutch Golden Age painting: works from the same years.
Same era · 1620s–1650s
Portrait of a Man, Possibly Nicolaes Pietersz Duyst van Voorhout (born about 1600, died 1650)
Frans Hals · 1636 · The Metropolitan Museum of Art
Same era · 1620s–1650s
The Wedding of Peleus and Thetis
Peter Paul Rubens · 1636 · Art Institute of Chicago
Same era · 1620s–1650s
Christ in the House of Martha and Mary
Johannes Vermeer · 1650 · Scottish National Gallery
Same era · 1620s–1650s
An Elegant Company
Samuel Alcock & Company · 1632 · Art Institute of Chicago
Same era · 1620s–1650s
Southern Barbarians
Artist Unknown - The Mercat Cross, Aberdeen · 1625 · Art Institute of Chicago
Same era · 1620s–1650s
Portrait of a man
Willem van der Vliet · 1634 · Pushkin Museum of Fine Arts
Same era · 1620s–1650s
Saint Romanus of Antioch and Saint Barulas
Master of the View of Saint Gudula · 1638 · Art Institute of Chicago
Same era · 1620s–1650s
Saint Sebastian tended by Saint Irene
Georges de La Tour · 1634 · Gemäldegalerie Berlin
Same era · 1620s–1650s
Saint Jerome
Hendrick ter Brugghen · 1624 · Museum Boijmans Van Beuningen
Same era · 1620s–1650s
Portrait of Elisabeth Dorothea of Saxony-Gotha-Altenburg
Salomon Duarte · 1650 · Bavarian State Painting Collections
Same era · 1620s–1650s
Two Deformed Heads with Very Long Upper Lips
Leonardo da Vinci · 1645 · The Metropolitan Museum of Art
Same era · 1620s–1650s
Floral Still Life
Jan van Kessel the Elder · 1633 · Museo del Prado