“Step back in time to 1863 with this grand view of Shimla, India, from Mount Jakko. It's an early photograph capturing the expansive landscape and the beginnings of a British hill station, offering a rare historical glimpse.”
This albumen print captures a sweeping vista of Shimla, India, from the elevated perspective of Mount Jakko. The photograph, taken in 1863, reveals the nascent development of the British hill station, with structures dotting the landscape amidst the dramatic mountainous terrain. The scene’s expansive scope and the crisp detail, characteristic of early photography, allow us to see the contours of the land and the distant haze that softens the horizon. The image is part of an album documenting northern India, moving from Himalayan towns to major cities, providing a valuable historical record of these sites before extensive 20th-century restorations. The photographer, Samuel Bourne, had only recently arrived in India that year, embarking on his prolific seven years of work there after leaving a banking career in England.
- Artist
- Samuel Bourne
- Date
- 1863
- Medium
- albumen print
- Location
- Cleveland Museum of Art
- Dimensions
- [object Object]
- Collection
- Photography
- Culture
- England
- Credit line
- Severance and Greta Millikin Purchase Fund
What to Notice
Four details hide in plain sight. Here’s where to look.

The dense foliage clinging to the mountainsides.
Small buildings scattered across the distant slopes.
The subtle atmospheric haze in the far distance.
The winding paths or roads barely visible below.
Stand in front of it and listen
The full narration walks you through Shimla. From Mount Jakko, Looking West — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Samuel Bourne
1834–1912 · United Kingdom of Great Britain and IrelandA bank clerk who quit his job, sailed to India, and hauled cameras up 18,600-foot Himalayan passes to capture 2,200 images.
Further Works by Bourne
Agra. The Gateway of the Gardens Surrounding the Taj
1863 · Cleveland Museum of Art
Agra. The Taj, the Central of Principal City
1863 · Cleveland Museum of Art
Agra. View of the Taj from a Corner in the Quadrangle
1863 · Cleveland Museum of Art
Agra. View of the Taj from the Garden
1863 · Cleveland Museum of Art
Agra. View of the Taj in Front of Nootkan (The Light of the World), Wife of the Emperor Akbar, View from the River
1863 · Cleveland Museum of Art
A Village Scene, Near Calcutta
1863 · Cleveland Museum of Art
Delhi. Gateway of Allahood Deen's Palace, Old Delhi
1863 · Cleveland Museum of Art
Delhi. Tomb of the Emperor Shums ooo deen Allomsh, Builder of the Kootub Minar in the Ruins of Old Delhi
1863 · Cleveland Museum of Art
More works to explore
Beyond Bourne: works from the same years.
Same era · 1840s–1870s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1840s–1870s
Two Boats in a Storm
Léon-Victor Dupré · 1870 · Art Institute of Chicago
Same era · 1840s–1870s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1840s–1870s
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1840s–1870s
A Sketch
Mariano Fortuny Marsal · 1862 · Hispanic Society of America
Same era · 1840s–1870s
Mount Madison from the Androscoggin River
William Hart · 1862
Same era · 1840s–1870s
Peasants Bringing Home a Calf Born in the Fields
Jean-François Millet · 1864 · Art Institute of Chicago
Same era · 1840s–1870s
Rêverie (Portrait of Gabrielle Borreau)
Gustave Courbet · 1862 · Art Institute of Chicago
Same era · 1840s–1870s
Sea View, Calm Weather (Vue de mer, temps calme)
Édouard Manet · 1864 · Art Institute of Chicago
Same era · 1840s–1870s
A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)
Edgar Degas · 1865 · The Metropolitan Museum of Art
Same era · 1840s–1870s
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1840s–1870s
The Beach at Sainte-Adresse
Claude Monet · 1867 · Art Institute of Chicago
