“This magazine cover, designed by Varvara Stepanova, embodies the radical spirit of Russian Constructivism, using bold graphics to promote modern architecture and a new visual language for a revolutionary society.”
The bold, geometric design of this magazine cover immediately grabs attention, a striking example of the Constructivist movement's embrace of graphic art for revolutionary purposes. Published in 1926, SA: Sovremennaia arkhitektura (Contemporary Architecture) wasn't just a periodical; it was a visual manifesto. Varvara Stepanova, a key figure in the Russian avant-garde, designed these covers to reflect the era's focus on functional, modern design and the active process of construction, rather than traditional artistic contemplation. The stark two-color offset printing, likely red and black, emphasizes clean lines and dynamic compositions, making the publication itself an object of modern design. This approach extended beyond the page, as Constructivists like Stepanova believed art should serve society directly, influencing everything from textiles to propaganda. Here, the magazine becomes a symbol of that ambition, a tangible piece of a larger movement to reshape the visual world.
- Artist
- Varvara Stepanova
- Date
- 1926
- Medium
- Periodicals, 27 issues with bold two-color offset printed wrappers
- Location
- Art Institute of Chicago
- Dimensions
- 30.4 × 23 × 0.3 cm (12 × 9 1/8 × 1/8 in.)
What to Notice
Four details hide in plain sight. Here’s where to look.

The stark contrast of the two-color offset printing.
Geometric shapes forming the title and other elements.
The magazine's title, "SA," rendered in a bold, sans-serif typeface.
The overall composition, designed for maximum visual impact.
Varvara Stepanova
1894–1958 · Russian EmpireVarvara Stepanova was a leading Constructivist, transforming art from spiritual contemplation into a dynamic tool for revolutionary society through graphic design, textiles, and stagecraft.
More from Suprematism
More works to explore
Beyond Stepanova and Suprematism: works from the same years.
Same era · 1910s–1940s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1910s–1940s
Memories of the Past
Ivan Puni · 1927 · Art Institute of Chicago
Same era · 1910s–1940s
Straße mit Passanten bei Nachtbeleuchtung
Ernst Ludwig Kirchner · 1927 · Museum Frieder Burda
Same era · 1910s–1940s
American Gothic
Okada Saburosuke · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
Bull's Head
Mikhail Larionov · 1913 · Tretyakov Gallery
Same era · 1910s–1940s
Lemons on a Pewter Plate
Henri Matisse · 1926 · Art Institute of Chicago
Same era · 1910s–1940s
Still Life with Fragments
Paul Klee · 1925 · Art Institute of Chicago
Same era · 1910s–1940s
The Blue Forest
Max Ernst · 1925 · Art Institute of Chicago
Same era · 1910s–1940s
The Circus Rider
Marc Chagall · 1927 · Art Institute of Chicago
Same era · 1910s–1940s
Abstraction: Background with Blue Cloudy Sky
Pablo Picasso · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
American Gothic
Grant Wood · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
The Fiddler
Norman Rockwell · 1921 · Brandywine Museum of Art

