“Step into a quiet moment on a historic Parisian street, where Samuel Chamberlain's lithograph captures the timeless charm and ancient architecture of the city's Latin Quarter in exquisite detail and striking contrasts of light and shadow.”
In this lithograph, Samuel Chamberlain captures a slice of Parisian life on Rue Saint-Séverin, a narrow street in the city's Latin Quarter. The scene is dominated by a towering, ancient building that leans precariously, its upper stories casting deep shadows over the cobblestone street below. Light streams from an unseen source, illuminating the lower facades and creating a striking contrast with the shadowed depths of the alleyways. You can almost feel the texture of the old stone and the dampness in the air. This print is one of twenty in a series titled "Vingt Lithographies du Vieux Paris" (Twenty Lithographs of Old Paris), created in 1924, which collectively document the timeless character of the city's historic architecture.
- Artist
- Samuel Chamberlain
- Date
- 1924
- Medium
- Lithograph in black on cream wove paper
- Location
- Art Institute of Chicago
- Collection
- Prints and Drawings
- Culture
- United States
- Credit line
- Gift of Miss Bertha Leichtman in memory of William McCallin McKee
What to Notice
Five details hide in plain sight. Here’s where to look.

The way the building on the left seems to lean inward, almost touching its neighbor.
Look for the small figures on the street, giving a sense of scale to the towering architecture.
Notice the intricate details in the stone facade, suggesting centuries of history.
The play of light and shadow, highlighting textures and creating depth.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through Rue Saint-Séverin, Paris, from Vingt Lithographies du Vieux Paris — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Samuel Chamberlain
1895–1975 · United StatesSamuel Chamberlain, also known as Phineas Beck, captured the intricate beauty of old European cities in his lithographs, like his 1924 series "Vingt Lithographies du Vieux Paris."
Further Works by Chamberlain
More works to explore
Beyond Chamberlain: works from the same years.
Same era · 1900s–1930s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1900s–1930s
Straße mit Passanten bei Nachtbeleuchtung
Ernst Ludwig Kirchner · 1927 · Museum Frieder Burda
Same era · 1900s–1930s
The Lineman
Ivan Puni · 1927 · Art Institute of Chicago
Same era · 1900s–1930s
American Gothic
Okada Saburosuke · 1930 · Art Institute of Chicago
Same era · 1900s–1930s
Bull's Head
Mikhail Larionov · 1913 · Tretyakov Gallery
Same era · 1900s–1930s
Asiatic God
Paul Klee · 1924 · Art Institute of Chicago
Same era · 1900s–1930s
The Three O'Clock Sitting
Henri Matisse · 1924 · The Metropolitan Museum of Art
Same era · 1900s–1930s
Untitled (Birds)
Max Ernst · 1924 · Art Institute of Chicago
Same era · 1900s–1930s
The Praying Jew
Marc Chagall · 1923 · Art Institute of Chicago
Same era · 1900s–1930s
The Fiddler
Norman Rockwell · 1921 · Brandywine Museum of Art
Same era · 1900s–1930s
Abstraction: Background with Blue Cloudy Sky
Pablo Picasso · 1930 · Art Institute of Chicago
Same era · 1900s–1930s
American Gothic
Grant Wood · 1930 · Art Institute of Chicago


