Rue Saint-Séverin, Paris, from Vingt Lithographies du Vieux Paris by Samuel Chamberlain

Rue Saint-Séverin, Paris, from Vingt Lithographies du Vieux Paris

Samuel Chamberlain · 1924

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“Step into a quiet moment on a historic Parisian street, where Samuel Chamberlain's lithograph captures the timeless charm and ancient architecture of the city's Latin Quarter in exquisite detail and striking contrasts of light and shadow.”

ABOUT THIS WORK

In this lithograph, Samuel Chamberlain captures a slice of Parisian life on Rue Saint-Séverin, a narrow street in the city's Latin Quarter. The scene is dominated by a towering, ancient building that leans precariously, its upper stories casting deep shadows over the cobblestone street below. Light streams from an unseen source, illuminating the lower facades and creating a striking contrast with the shadowed depths of the alleyways. You can almost feel the texture of the old stone and the dampness in the air. This print is one of twenty in a series titled "Vingt Lithographies du Vieux Paris" (Twenty Lithographs of Old Paris), created in 1924, which collectively document the timeless character of the city's historic architecture.

DETAILS
Artist
Samuel Chamberlain
Date
1924
Medium
Lithograph in black on cream wove paper
Location
Art Institute of Chicago
Collection
Prints and Drawings
Culture
United States
Credit line
Gift of Miss Bertha Leichtman in memory of William McCallin McKee
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What to Notice

Five details hide in plain sight. Here’s where to look.

Rue Saint-Séverin, Paris, from Vingt Lithographies du Vieux Paris
01

The way the building on the left seems to lean inward, almost touching its neighbor.

02

Look for the small figures on the street, giving a sense of scale to the towering architecture.

03

Notice the intricate details in the stone facade, suggesting centuries of history.

04

The play of light and shadow, highlighting textures and creating depth.

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THE ARTIST

Samuel Chamberlain

1895–1975 · United States

Samuel Chamberlain, also known as Phineas Beck, captured the intricate beauty of old European cities in his lithographs, like his 1924 series "Vingt Lithographies du Vieux Paris."

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