“This lithograph offers a captivating glimpse into the past, highlighting the unique architecture and lively streetscape of historic Chartres through dramatic light and shadow.”
In this striking lithograph, Samuel Chamberlain captures the historic charm of "La Maison du Saumon" (The Salmon House) in Chartres, France. The print, part of a series documenting "Old Paris," focuses on the building's distinctive half-timbered facade, which leans slightly into the narrow street. The artist uses strong contrasts of light and shadow to emphasize the texture of the ancient timbers and the deep recesses of the windows. Notice how the angled lines of the building create a sense of dynamic energy, pulling the eye upwards towards the intricate details of the upper stories. This work transports us to a specific moment in time and place, evoking the atmosphere of a bygone era in French urban life.
- Artist
- Samuel Chamberlain
- Date
- 1924
- Medium
- Lithograph in black on cream wove paper
- Location
- Art Institute of Chicago
- Collection
- Prints and Drawings
- Culture
- United States
- Credit line
- Gift of Miss Bertha Leichtman in memory of William McCallin McKee
What to Notice
Four details hide in plain sight. Here’s where to look.

The carved salmon emblem above the archway, giving the house its name.
The subtle lean of the building, suggesting its age and the weight of its history.
The intricate patterns of the half-timber construction on the upper floors.
The small figures on the street below, providing a sense of scale and daily life.
Stand in front of it and listen
The full narration walks you through La Maison du Saumon, Chartres, from Vingt Lithographies du Vieux Paris — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Samuel Chamberlain
1895–1975 · United StatesSamuel Chamberlain, also known as Phineas Beck, captured the intricate beauty of old European cities in his lithographs, like his 1924 series "Vingt Lithographies du Vieux Paris."
Further Works by Chamberlain
More works to explore
Beyond Chamberlain: works from the same years.
Same era · 1900s–1930s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1900s–1930s
Interior with painter
Ernst Ludwig Kirchner · 1921 · Buchheim Museum of Imagination
Same era · 1900s–1930s
Memories of the Past
Ivan Puni · 1927 · Art Institute of Chicago
Same era · 1900s–1930s
American Gothic
Okada Saburosuke · 1930 · Art Institute of Chicago
Same era · 1900s–1930s
Bull's Head
Mikhail Larionov · 1913 · Tretyakov Gallery
Same era · 1900s–1930s
Asiatic God
Paul Klee · 1924 · Art Institute of Chicago
Same era · 1900s–1930s
The Three O'Clock Sitting
Henri Matisse · 1924 · The Metropolitan Museum of Art
Same era · 1900s–1930s
Untitled (Birds)
Max Ernst · 1924 · Art Institute of Chicago
Same era · 1900s–1930s
The Praying Jew
Marc Chagall · 1923 · Art Institute of Chicago
Same era · 1900s–1930s
The Fiddler
Norman Rockwell · 1921 · Brandywine Museum of Art
Same era · 1900s–1930s
Abstraction: Background with Blue Cloudy Sky
Pablo Picasso · 1930 · Art Institute of Chicago
Same era · 1900s–1930s
American Gothic
Grant Wood · 1930 · Art Institute of Chicago


