“This is a rare opportunity to stand before the face of Alexander Pushkin, Russia's most revered poet, captured with striking intimacy and intelligence by Vasily Andreevich Tropinin.”
Alexander Pushkin, Russia's most celebrated poet, gazes out from this canvas with a direct, confident expression. Painted in 1827, this portrait captures Pushkin in a moment of relaxed contemplation, his head slightly tilted. The artist, Vasily Andreevich Tropinin, renders Pushkin not as a distant literary figure, but as an approachable, intelligent individual. The subdued color palette and soft lighting draw attention to the poet's face, emphasizing his thoughtful demeanor. This work was created shortly after Tropinin gained his freedom from serfdom, a life he endured for over forty years. It stands as a significant example of Russian Romanticism, depicting a towering cultural figure with both intimacy and respect.
- Artist
- Vasily Andreevich Tropinin
- Date
- 1827
- Medium
- Oil on canvas
- Location
- National Pushkin Museum
What to Notice
Five details hide in plain sight. Here’s where to look.

Pushkin's direct gaze, engaging the viewer.
The subtle hint of a smile on his lips.
The open collar and loose cravat, suggesting informality.
The dark, curly hair framing his face.
1 more detail is waiting.
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Vasily Andreevich Tropinin
1776–1857 · Russian EmpireA serf who secretly studied art and went on to paint over 3,000 portraits — including Russia's greatest poet.
Further Works by Tropinin
Boy with an axe
1810 · Belarusian National Arts Museum
The Peasant Boy with a Hatchet
1810 · Ekaterinburg Museum of Fine Arts
Portrait of A. V. Tropinin
1818 · Tretyakov Gallery
Portrait of Artemy Lazarev (1791-1813), the Poruchik of the Life Guards Hussars Regiment
1819 · Hermitage Museum
Portrait of an Ukrainian peasant.
1820 · National Museum in Warsaw
Lady from Podolia
1821 · Kursk State Art Gallery
Porträt des Nicholas Majkov
1821 · Russian Museum
Ekim Lazarev
1822 · National Gallery of Armenia
More works to explore
Beyond Tropinin: works from the same years.
Same era · 1810s–1840s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1810s–1840s
Sketch for ‘East Cowes Castle, the Regatta Starting for Their Moorings’ No. 2
J. M. W. Turner · 1827 · National Gallery
Same era · 1810s–1840s
The Combat of the Giaour and Hassan
Eugène Delacroix · 1826 · Art Institute of Chicago
Same era · 1810s–1840s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1810s–1840s
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1810s–1840s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same era · 1810s–1840s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same era · 1810s–1840s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1810s–1840s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1810s–1840s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art
Same era · 1810s–1840s
Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
Samuel Jones · 1819 · Art Institute of Chicago
Same era · 1810s–1840s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
