"Off, off, you lendings–Come unbutton here" (Shakespeare, King Lear, Act 3, Scene 4)

William Edward West, 1793

MEDIUMEtching and engraving
DIMENSIONSimage: 17 3/8 x 23 5/16 in. (44.2 x 59.2 cm) sheet: 19 1/4 x 24 7/16 in. (48.9 x 62.1 cm)
LOCATIONThe Metropolitan Museum of Art
COLLECTIONDrawings and Prints
CREDIT LINEGift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924

This powerful etching captures King Lear's descent into madness on the stormy heath, stripped of his clothes and sanity. It vividly portrays the raw emotion and dramatic intensity of Shakespeare's tragedy, a perfect example of late 18th-century artistic fascination with the sublime.

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ABOUT THIS WORK

This dramatic etching and engraving plunges us into the raw despair of Shakespeare's King Lear. We see the aged king, stripped bare both literally and metaphorically, on the desolate heath during a raging storm. His clothes lie scattered around him, emphasizing his vulnerability and the complete unraveling of his former power. The frantic gesture of his hands and the wildness of his hair convey his descent into madness, as he cries out the line from Act 3, Scene 4: "Off, off, you lendings–Come unbutton here." The artist, William Edward West, captures the intense emotional turmoil of the scene, a popular subject for artists in the late 18th century who were drawn to the era's fascination with extreme human emotion and the sublime in nature. The stark contrasts of light and shadow, typical of the medium, heighten the sense of chaos and the king's profound isolation.

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What to Notice

1

Lear's wild, windswept hair and beard, signifying his madness.

2

His discarded clothing, symbolizing his loss of status and sanity.

3

The stormy, desolate landscape, mirroring Lear's inner turmoil.

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Audio Deep Dive

This powerful etching captures King Lear's descent into madness on the stormy heath, stripped of his clothes and sanity. It vividly portrays the raw emotion an…

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THE ARTIST
William Edward West 1788–1857 · United States

William Edward West, an American portrait painter, captured the likenesses of wealthy families and collaborated with author Washington Irving.

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