Stop to witness the dramatic climax of a Greek myth: the accidental killing of Procris by her husband, Cephalus. The painting's powerful emotion and classical style make it a compelling example of late 18th-century art.
This painting depicts a tragic moment from Greek mythology: the death of Procris. Her husband, Cephalus, mistakenly killed her with a javelin, believing her to be a wild animal rustling in the bushes. Here, a remorseful Cephalus cradles Procris, who lies mortally wounded, her head tilted back as a classical drapery flows across her body. The dramatic lighting emphasizes her pale skin against the darker tones of the surrounding landscape and her husband's cloak, drawing the eye directly to her fading life. The composition, with its emphasis on emotion and classical subject matter, reflects the Neoclassical style prevalent in the late 18th century, a period that often revisited ancient themes to explore universal human experiences like love, loss, and fate. This particular work was painted by William Edward West, an American artist who studied in Europe.
The golden javelin, the instrument of Procris's death, lies on the ground.
Cephalus's anguished expression as he supports his dying wife.
The delicate drapery covering Procris, revealing classical influences.
Stop to witness the dramatic climax of a Greek myth: the accidental killing of Procris by her husband, Cephalus. The painting's powerful emotion and classical…
William Edward West, an American portrait painter, captured the likenesses of wealthy families and collaborated with author Washington Irving.
Read William's full story in Art Whisper