Lucknow. The Great Emambara and Mosque by Samuel Bourne

Lucknow. The Great Emambara and Mosque

Samuel Bourne · 1863

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“Stop to appreciate this stunning 1863 photograph of Lucknow's Great Imambara and Mosque, a powerful record of monumental architecture captured with remarkable detail and composition.”

ABOUT THIS WORK

This albumen print captures the grand scale of the Great Imambara and Mosque in Lucknow, India, in 1863. The monumental architecture dominates the frame, with its intricate arches and towering minarets rising against the sky. The photographer, Samuel Bourne, carefully composed the scene to emphasize the building's impressive symmetry and detailed ornamentation. You can almost feel the weight and texture of the stone, a testament to the craftsmanship of the original builders. This image is part of an album documenting Northern India, offering a valuable historical record of significant sites before 20th-century restorations. It reflects a moment when photography was becoming a crucial tool for documenting the world's architectural wonders, preserving their appearance for future generations.

DETAILS
Artist
Samuel Bourne
Date
1863
Medium
albumen print
Location
Cleveland Museum of Art
Dimensions
[object Object]
Collection
Photography
Culture
England
Credit line
Severance and Greta Millikin Purchase Fund
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What to Notice

Five details hide in plain sight. Pick one and we’ll show you exactly where to look.

Lucknow. The Great Emambara and Mosque

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01

Ribbed foreground dome

Start at the big ribbed dome on the corner tower in the foreground. Its crisp, detailed shape anchors the whole view.

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02

Onion domes of the mosque

Look at the cluster of fluted domes at upper right. Their pointed tips and ribbed shapes echo the smaller domes in front.

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03

Tall minarets

Follow the slim minarets rising against the pale sky, one near the center and another cut off at the right edge. They rise from the mosque complex beyond.

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04

Long palace facade

Far left, a very long building with many tiers of arched openings stretches toward the horizon. It hints at how large the complex was.

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05

Dark trees and walls

Trees and a heavy brick wall sit in deep shadow at left. They frame the brighter buildings and add a sense of depth.

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THE ARTIST

Samuel Bourne

1834–1912 · United Kingdom of Great Britain and Ireland

A bank clerk who quit his job, sailed to India, and hauled cameras up 18,600-foot Himalayan passes to capture 2,200 images.

Read Bourne’s full story
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