“This lithograph offers a glimpse into a charming, historic Parisian street, with a prominent clock marking time over the quiet activity below. It's a vivid snapshot of early 20th-century urban life, captured with a keen eye for architectural detail and atmosphere.”
In this lithograph, a grand clock face dominates a narrow Parisian street, its Roman numerals clear against a shadowed building. The scene captures a specific moment in the city's life, a quiet corner where daily routines unfold beneath the gaze of this imposing timepiece. The artist, Samuel Chamberlain, created this work in 1924 as part of a series titled "Vingt Lithographies du Vieux Paris" (Twenty Lithographs of Old Paris), a collection dedicated to documenting the charm of the city's historic architecture. Here, the clock isn't just a timekeeper; it's a focal point, drawing the eye upwards through the tightly packed buildings, suggesting the enduring presence of history amidst the city's constant movement. The stark contrasts of light and shadow, typical of lithography, emphasize the texture of the stone and the depth of the alleyway, inviting a closer look at the subtle details of urban life a century ago.
- Artist
- Samuel Chamberlain
- Date
- 1924
- Medium
- Lithograph in black on cream wove paper
- Location
- Art Institute of Chicago
What to Notice
Five details hide in plain sight. Here’s where to look.

The precise Roman numerals on the clock face.
The texture of the stone buildings, suggested by the lithograph's lines.
The subtle figures walking along the street below the clock.
The intricate details of the wrought-iron work visible near the top.
1 more detail is waiting.
See all 5 in Art Whisper →Samuel Chamberlain
1895–1975 · United StatesSamuel Chamberlain, also known as Phineas Beck, captured the intricate beauty of old European cities in his lithographs, like his 1924 series "Vingt Lithographies du Vieux Paris."
Further Works by Chamberlain
More works to explore
Beyond Chamberlain: works from the same years.
Same era · 1900s–1930s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1900s–1930s
Interior with painter
Ernst Ludwig Kirchner · 1921 · Buchheim Museum of Imagination
Same era · 1900s–1930s
Memories of the Past
Ivan Puni · 1927 · Art Institute of Chicago
Same era · 1900s–1930s
American Gothic
Okada Saburosuke · 1930 · Art Institute of Chicago
Same era · 1900s–1930s
Bull's Head
Mikhail Larionov · 1913 · Tretyakov Gallery
Same era · 1900s–1930s
Asiatic God
Paul Klee · 1924 · Art Institute of Chicago
Same era · 1900s–1930s
The Three O'Clock Sitting
Henri Matisse · 1924 · The Metropolitan Museum of Art
Same era · 1900s–1930s
Untitled (Birds)
Max Ernst · 1924 · Art Institute of Chicago
Same era · 1900s–1930s
The Praying Jew
Marc Chagall · 1923 · Art Institute of Chicago
Same era · 1900s–1930s
The Fiddler
Norman Rockwell · 1921 · Brandywine Museum of Art
Same era · 1900s–1930s
Abstraction: Background with Blue Cloudy Sky
Pablo Picasso · 1930 · Art Institute of Chicago
Same era · 1900s–1930s
American Gothic
Grant Wood · 1930 · Art Institute of Chicago



