“Stop and look closely at this portrait of fellow artist James Clarke Hook. The etching technique creates a wonderfully rich texture, particularly in his beard, capturing a moment of quiet contemplation.”
In this striking portrait, the artist James Clarke Hook is captured in profile, his gaze directed upwards and away from the viewer. The etching and drypoint technique lends a remarkable texture to his flowing beard and the subtle contours of his face, emphasizing a sense of thoughtful contemplation. Hook, himself a painter known for his marine and coastal scenes, appears here not as a figure of action, but of quiet introspection. The choice of chine collé, where a thin sheet of paper is adhered to a heavier backing, enhances the delicate lines and tonal variations, giving the print a rich, almost velvety quality. Created in 1884, this work reflects the later period in British art when portraiture often sought to convey the sitter's inner life and intellectual depth, moving beyond mere physical likeness.
- Artist
- Sir John Everett Millais
- Date
- 1884
- Medium
- Etching and drypoint on chine collé
- Location
- The Metropolitan Museum of Art
- Dimensions
- Plate: 14 3/8 × 11 7/16 in. (36.5 × 29 cm) Sheet: 19 13/16 × 13 11/16 in. (50.3 × 34.7 cm)
- Collection
- Drawings and Prints
- Credit line
- Gift of Donato Esposito, 2016
What to Notice
Five details hide in plain sight. Here’s where to look.

The intricate lines defining Hook's long, white beard.
The subtle drypoint burrs creating a soft halo around his head.
His upward, distant gaze, suggesting deep thought.
The texture of his jacket, rendered with varying line weights.
1 more detail is waiting.
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Sir John Everett Millais
Sir John Everett Millais, a child prodigy who co-founded the Pre-Raphaelite Brotherhood, later became one of the wealthiest and most influential artists of his era.
More works to explore
Beyond Millais: works from the same years.
Same era · 1860s–1890s
Cart with Black Ox
Vincent van Gogh · 1884 · Portland Art Museum
Same era · 1860s–1890s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same era · 1860s–1890s
Madame Léon Clapisson
Léon-Victor Dupré · 1883 · Art Institute of Chicago
Same era · 1860s–1890s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1860s–1890s
Blue roofs of Rouen
Paul Gauguin · 1884 · Museum collection Am Römerholz
Same era · 1860s–1890s
Bordighera
Claude Monet · 1884 · Art Institute of Chicago
Same era · 1860s–1890s
Splashing Figure (Study for "The Large Bathers")
Pierre-Auguste Renoir · 1884 · Art Institute of Chicago
Same era · 1860s–1890s
Forêt de Compiègne
Berthe Morisot · 1885 · Art Institute of Chicago
Same era · 1860s–1890s
Scene at Napanoch
William Hart · 1883 · The Metropolitan Museum of Art
Same era · 1860s–1890s
The Sick Child
Edvard Munch · 1885 · National Museum of Art, Architecture and Design
Same era · 1860s–1890s
Woman and Child at the Well
Camille Pissarro · 1882 · Art Institute of Chicago
Same era · 1860s–1890s
Equestrienne (At the Cirque Fernando)
Henri de Toulouse-Lautrec · 1887 · Art Institute of Chicago
