Samuel Bourne, 1863
A pioneer travel photographer's 1863 view of a Himalayan hill station lake — made with glass plates hauled by 30 porters into the mountains.
This 1863 albumen print captures Hyree Lake (also known as the Taj Lake) at a hill station in the Himalayas, complete with its Assembly Rooms — a social hub for the British colonial elite who retreated to the cool mountain air. It was made during Samuel Bourne's very first year in India, likely on his inaugural Himalayan expedition that began on 29 July 1863, when he set out from Simla with a retinue of some 30 porters carrying his heavy wet plate collodion equipment across the Simla Hills. That single journey yielded 147 fine negatives, and this image almost certainly belongs to that remarkable haul.
Bourne arrived in Calcutta in early 1863 after giving up a banking career in Nottingham, driven by a passion for landscape photography honed in the English Lake District. Working with a 10x12-inch plate camera and the demanding wet plate collodion process — which required coating, exposing, and developing glass plates before they dried — in remote mountain terrain was an extraordinary technical feat. The result here is characteristic of Bourne's mastery: a serene, luminous view that balances natural grandeur with the quiet imprint of colonial life, placing a genteel British institution squarely within one of the world's most dramatic landscapes.
The still lake surface acting as a mirror, doubling the mountains and sky in soft albumen tones
The Assembly Rooms building — look for its colonial architectural details set against the mountain backdrop
The delicate gradation of grey tones unique to the albumen printing process, made from egg white on paper
A pioneer travel photographer's 1863 view of a Himalayan hill station lake — made with glass plates hauled by 30 porters into the mountains.
A bank clerk who quit his job, sailed to India, and hauled cameras up 18,600-foot Himalayan passes to capture 2,200 images.
Read Samuel's full story in Art Whisper