“This small, powerful sketch by Ludwig Mies van der Rohe offers a glimpse into the visionary mind behind some of Chicago's most iconic modernist highrises, capturing the essence of his architectural thinking in just a few lines.”
This spare graphite sketch, drawn on a piece of note paper, captures the raw potential of Chicago's urban landscape in 1946. Two towering highrises dominate the composition, rendered with a stark simplicity that emphasizes their verticality and the interplay of light and shadow on their facades. The lines are quick and confident, suggesting a rapid conceptualization rather than a detailed architectural drawing. One building appears to have a more defined grid of windows, hinting at the steel and glass structures that would become synonymous with modernism. The other is a more abstract form, a solid block reaching towards the sky, perhaps representing the sheer mass and scale envisioned for these new urban giants. This drawing isn't just a building plan; it's a vision for how architecture could reshape a city, a quiet but powerful statement about the future of the metropolis.
- Artist
- Ludwig Mies van der Rohe
- Date
- 1946
- Medium
- Graphite on note paper, mounted on archival board
- Location
- Art Institute of Chicago
- Dimensions
- 15.2 × 21.7 cm (6 × 8 9/16 in.); Including board: 25.3 × 36.1 cm (10 × 14 1/4 in.)
What to Notice
Five details hide in plain sight. Here’s where to look.

The quick, almost gestural lines of the graphite.
The varying levels of detail between the two buildings.
The way light and shadow define the building’s planes.
The small scale of the sketch on ordinary note paper.
1 more detail is waiting.
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The Indestructibles
Philip Evergood · 1946 · Art Institute of Chicago
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The Temptation of St. Anthony
Ivan Puni · 1945 · Art Institute of Chicago
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Nighthawks
Okada Saburosuke · 1942 · Art Institute of Chicago
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Red No. 2
Sam Francis · 1954 · Art Institute of Chicago
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Halleluiah
Max Ernst · 1948 · Art Institute of Chicago
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The Dugout
Norman Rockwell · 1948 · Art Institute of Chicago
Same era · 1930s–1960s
Untitled (Woman-Bottle)
René Magritte · 1943 · Art Institute of Chicago
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Wheatfield
Georges Braque · 1951 · Art Institute of Chicago
