“Stop to see these three portraits, taken in 1867, depicting Emperor Maximilian and his generals just before their execution. It's a rare glimpse into a dramatic moment in Mexican history, captured with striking clarity.”
This stark triptych of photographic portraits captures three figures at the heart of a pivotal moment in Mexican history: Emperor Maximilian and two of his generals, Tomás Mejía and Miguel Miramón. Created in 1867, the year of Maximilian's execution, these albumen silver prints from glass negatives possess a raw, almost documentarian quality. The figures are presented in simple, unadorned ovals, a common format for portraiture of the era, yet their expressions convey a sense of gravity, perhaps even resignation. The decision to group these three together underscores their shared fate, offering a poignant visual record of the final days of the Second Mexican Empire. The clarity and detail achieved through the albumen silver print process allow for an intimate examination of their faces, uniforms, and the somber mood of the time.
- Artist
- Noriega
- Date
- 1867
- Medium
- Albumen silver prints from glass negatives
- Location
- The Metropolitan Museum of Art
- Dimensions
- Image (left, oval): 5.4 × 4 cm (2 1/8 × 1 9/16 in.)
- Collection
- Photographs
- Credit line
- Gilman Collection, Museum Purchase, 2005
What to Notice
Four details hide in plain sight. Here’s where to look.
![[General Tomas Mejia, Emperor Maximilian, General Misamon]](https://images.artwhisper.app/artworks/757f9d43-e994-47ea-ba7d-f582bff15c32/37693efd-d02c-4ccf-af93-7887ed0f2b7a_sm.jpg)
Observe the distinct uniforms of each man, reflecting their military ranks.
Note the somber expressions, particularly in Emperor Maximilian's central portrait.
See the oval framing, a popular photographic style of the mid-19th century.
Look at the fine details captured by the albumen silver print, from facial hair to fabric.
Stand in front of it and listen
The full narration walks you through [General Tomas Mejia, Emperor Maximilian, General Misamon] — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Noriega
Susana Noriega is a Mexican painter, one of several notable individuals sharing the Noriega surname.
Further Works by Noriega
Simon Vouet
1630 · Art Institute of Chicago
[Baron von Magnus, autograph of Emperor Maximilian of Mexico, Dr. Bosch]
1867 · The Metropolitan Museum of Art
[Convent in La Cruz]
1867 · The Metropolitan Museum of Art
[Death Scene]
1867 · The Metropolitan Museum of Art
[Emperor Maximilian's Death Carriage]
1867 · The Metropolitan Museum of Art
[Gran Teatro de Iturbide]
1867 · The Metropolitan Museum of Art
[Place of imprisonment for Emperor Maxmilian of Mexico and soldiers]
1867 · The Metropolitan Museum of Art
[Prison, Capuchin Convent]
1867 · The Metropolitan Museum of Art
More works to explore
Beyond Noriega: works from the same years.
Same era · 1850s–1880s
Barks Fleeing Before the Storm
Léon-Victor Dupré · 1870 · Art Institute of Chicago
Same era · 1850s–1880s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1850s–1880s
Approaching Storm
William Hart · 1867 · Gilcrease Museum
Same era · 1850s–1880s
The Beach at Sainte-Adresse
Claude Monet · 1867 · Art Institute of Chicago
Same era · 1850s–1880s
In the Auvergne
Jean-François Millet · 1866 · Art Institute of Chicago
Same era · 1850s–1880s
Patio of the Palace of the Duke of Alba, Seville: Raimundo de Madrazo y Garreta painting
Mariano Fortuny Marsal · 1868 · Hispanic Society of America
Same era · 1850s–1880s
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1850s–1880s
The Races at Longchamp
Édouard Manet · 1866 · Art Institute of Chicago
Same era · 1850s–1880s
The Valley of Les Puits-Noir
Gustave Courbet · 1868 · Art Institute of Chicago
Same era · 1850s–1880s
A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)
Edgar Degas · 1865 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Mountain View at Bormio (from Switzerland 1869 Sketchbook)
John Singer Sargent · 1869 · The Metropolitan Museum of Art
![[General Tomas Mejia, Emperor Maximilian, General Misamon] by Noriega](https://images.artwhisper.app/artworks/757f9d43-e994-47ea-ba7d-f582bff15c32/37693efd-d02c-4ccf-af93-7887ed0f2b7a_lg.jpg)