DETAILS
- Artist
- John Leech
- Date
- 1837
- Medium
- Watercolor, pen and brown ink, over graphite
- Location
- The Metropolitan Museum of Art
- Dimensions
- Sheet: 5 5/16 x 6 5/16 in. (13.5 x 16 cm)
- Collection
- Drawings and Prints
- Credit line
- Harris Brisbane Dick Fund, 1917
AUDIO DEEP DIVE
Stand in front of it and listen
The full narration walks you through Fishey Flies and Fly Fishes (recto); Typeface Designs (verso) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
THE ARTIST
John Leech
John Leech was a pioneering British caricaturist and illustrator, best known for his witty social commentary and political satire in Punch magazine.
KEEP EXPLORING
More works to explore
Beyond Leech: works from the same years.
Same era · 1820s–1850s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1820s–1850s
Disaster at Sea
J. M. W. Turner · 1835 · National Gallery
Same era · 1820s–1850s
Hamlet and Horatio in the Graveyard
Eugène Delacroix · 1839 · Department of Paintings of the Louvre
Same era · 1820s–1850s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same era · 1820s–1850s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same era · 1820s–1850s
Wooded Landscape
Gustave Courbet · 1848 · Art Institute of Chicago
Same era · 1820s–1850s
Mount Chocorua and Moat Mountain from North Conway
William Hart · 1850
Same era · 1820s–1850s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1820s–1850s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1820s–1850s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1820s–1850s
Designs for a Decorated Dish, or Platter, and a Biscuit Barrel
Alfred Henry Forrester [Alfred Crowquill] · 1845 · The Metropolitan Museum of Art
Same era · 1820s–1850s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
