“This print transports you to 19th-century Nagasaki, a vital port where Dutch and Chinese ships brought goods and culture to Japan. It's a vivid snapshot of a rare window into the outside world.”
In this vibrant woodblock print, two imposing foreign ships dominate the bustling harbor of Nagasaki, a rare port open to international trade during Japan's Edo period. On the left, a Dutch vessel, identifiable by its flag, stands tall with its intricate rigging, while a Chinese junk with its distinctive battened sails occupies the right. Hiroshige captures a moment of lively commerce and cultural exchange, with smaller Japanese boats navigating between the larger ships and figures on shore engaged in various activities. The dramatic perspective, with the ships filling much of the foreground, emphasizes their significance to the port city. This work, created in 1859, a year after the artist's death, offers a fascinating glimpse into Japan's limited but crucial interactions with the outside world just as the country was on the cusp of significant change.
- Artist
- Utagawa Hiroshige
- Date
- 1859
- Medium
- Woodblock print; ink and color on paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- Overall: 14 1/4 x 9 3/4 in. (36.2 x 24.8 cm)
What to Notice
Five details hide in plain sight. Here’s where to look.

The distinctive red, white, and blue flag of the Dutch ship.
The unique, ribbed sails of the Chinese junk.
The small Japanese boats dwarfed by the foreign vessels.
The distant, misty mountains framing the harbor.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through 諸国名所百景 肥前長崎唐船の津|Dutch and Chinese Ships in the Harbor at Nagasaki in Hizen Province — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Utagawa Hiroshige
1797–1858 · JapanUtagawa Hiroshige, the last great master of ukiyo-e, transformed landscape printmaking with his poetic scenes of Edo Japan and vibrant use of color gradation.
Further Works by Hiroshige
Boat on the Sumida
1817 · The Metropolitan Museum of Art
Small View of Yedo
1817 · The Metropolitan Museum of Art
近江八景之内 唐崎夜雨|Evening Rain at Karasaki-Pine Tree
1822 · The Metropolitan Museum of Art
近江八景之内 比良暮雪|Evening Snow on Mount Hira
1822 · The Metropolitan Museum of Art
西洋風の懐中時計『春雨集』 摺物帖|Western Pocket WatchFrom the Spring Rain Collection (Harusame shū), vol. 3
1823 · The Metropolitan Museum of Art
東海道五十三次之内 江尻 三保遠望|Distant View of Miho Beach from Ejiri
1824 · The Metropolitan Museum of Art
東海道五十三次之内 白須賀 汐見阪図|Shirasuka, Shio-mi Zaka
1824 · The Metropolitan Museum of Art
東海道五十三次之内 神奈川 台之景|View of Kangawa at Sunset
1824 · The Metropolitan Museum of Art
More works to explore
Beyond Hiroshige: works from the same years.
Same era · 1840s–1870s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1840s–1870s
The Cottage by the Roadside, Stormy Sky
Léon-Victor Dupré · 1855 · Art Institute of Chicago
Same era · 1840s–1870s
Lion Hunt
Eugène Delacroix · 1858 · Museum of Fine Arts Boston
Same era · 1840s–1870s
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1840s–1870s
Monsieur Suisse
Gustave Courbet · 1861 · The Metropolitan Museum of Art
Same era · 1840s–1870s
Pools by the Seaside
William Hart · 1861 · Buffalo AKG Art Museum
Same era · 1840s–1870s
The Sheepshearers
Jean-François Millet · 1857 · Art Institute of Chicago
Same era · 1840s–1870s
An Arab Warrior
Mariano Fortuny Marsal · 1862 · Hispanic Society of America
Same era · 1840s–1870s
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1840s–1870s
Beggar with a Duffle Coat (Philosopher)
Édouard Manet · 1864 · Art Institute of Chicago
Same era · 1840s–1870s
Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie
Jean-Auguste-Dominique Ingres · 1853 · Metropolitan Museum of Art
Same era · 1840s–1870s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
