“Stop to witness Rembrandt's masterful use of light and shadow in this poignant etching, where flickering torchlight illuminates the sorrowful scene of Christ's descent from the cross, drawing you into its emotional depth.”
In this dramatic etching, a somber scene unfolds under the cover of night, illuminated by the flickering glow of torches. The print captures the moment Christ's body is lowered from the cross, a subject Rembrandt returned to multiple times throughout his career. Here, the artist uses the stark contrast of light and shadow, a technique known as chiaroscuro, to heighten the emotional intensity. The figures are rendered with a profound sense of grief and exhaustion, their forms emerging from the darkness. The rough, almost frenzied lines of the drypoint technique contribute to the raw, immediate feeling of the moment, drawing the viewer into the hushed, sorrowful atmosphere.
- Artist
- Rembrandt
- Date
- 1654
- Medium
- Etching and drypoint; first of four states
- Location
- The Metropolitan Museum of Art
- Dimensions
- Sheet (Trimmed): 8 3/8 × 6 7/16 in. (21.2 × 16.4 cm)
What to Notice
Five details hide in plain sight. Here’s where to look.

The central figure of Christ, limp and pale, being carefully lowered.
The stark light from the torches casting dramatic shadows on the faces.
The varied expressions of grief among the surrounding figures.
The ladder against the cross, a key element in the descent.
1 more detail is waiting.
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Rembrandt
1606–1669 · Dutch RepublicRembrandt painted ~40 self-portraits across his life, creating history's most intimate visual autobiography.
Further Works by Rembrandt
Lieven Willemsz van Coppenol (born about 1599, died 1671 or later)
1626 · The Metropolitan Museum of Art
Man in a Turban
1632 · The Metropolitan Museum of Art
Herman Doomer (ca. 1595–1650)
1640 · The Metropolitan Museum of Art
Rembrandt's Son Titus (1641–1668)
1650 · The Metropolitan Museum of Art
Aristotle with a Bust of Homer
1653 · The Metropolitan Museum of Art
Old Woman Cutting Her Nails
1655 · The Metropolitan Museum of Art
Portrait of a Man
1655 · The Metropolitan Museum of Art
Portrait of a Man ("The Auctioneer")
1658 · The Metropolitan Museum of Art
More from Dutch Golden Age painting
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Beyond Rembrandt and Dutch Golden Age painting: works from the same years.
Same era · 1630s–1660s
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Johannes Vermeer · 1658 · Rijksmuseum
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Frans Hals (1582/83–1666)
Frans Hals · 1650 · The Metropolitan Museum of Art
Same era · 1630s–1660s
A lady holding a crucifix
Willem van der Vliet · 1650
Same era · 1630s–1660s
Portrait of Elisabeth Dorothea of Saxony-Gotha-Altenburg
Salomon Duarte · 1650 · Bavarian State Painting Collections
Same era · 1630s–1660s
The Denial of Saint Peter
Georges de La Tour · 1650 · Nantes Museum of Arts
Same era · 1630s–1660s
Resurrection of Christ
Samuel van Hoogstraten · 1665 · Art Institute of Chicago
Same era · 1630s–1660s
Two Deformed Heads with Very Long Upper Lips
Leonardo da Vinci · 1645 · The Metropolitan Museum of Art
Same era · 1630s–1660s
Portrait of Edouard Molé
Robert Nanteuil · 1653 · Art Institute of Chicago
Same era · 1630s–1660s
Bouquet of flowers in a glass vase
Jan van Kessel the Elder · 1659 · Suermondt-Ludwig-Museum
Same era · 1630s–1660s
The wedding party
Jan Steen · 1660 · Museum Boijmans Van Beuningen
Same era · 1630s–1660s
Abraham and Isaac
Rembrandt van Rijn · 1645 · Art Institute of Chicago
Same era · 1630s–1660s
The Fall of the Giants
Jacob Jordaens · 1663 · Art Institute of Chicago


