DETAILS
- Artist
- George Grosz
- Date
- 1922
- Medium
- Portfolio cover
- Location
- Art Institute of Chicago
- Dimensions
- 71.5 × 50 × 1 cm (28 3/16 × 19 11/16 × 7/16 in.)
- Collection
- Prints and Drawings
- Culture
- Germany
- Credit line
- Gift of Mr. and Mrs. Edwin A. Bergman
ART MOVEMENTS
AUDIO DEEP DIVE
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The full narration walks you through Folio Cover, from Die Rauber — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
THE ARTIST
George Grosz
George Grosz was a German artist renowned for his biting caricatures of Berlin life in the 1920s, capturing the cynicism of the Weimar Republic.
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More works to explore
Beyond Grosz and Dadaism: works from the same years.
Same era · 1900s–1930s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1900s–1930s
Interior with painter
Ernst Ludwig Kirchner · 1921 · Buchheim Museum of Imagination
Same era · 1900s–1930s
The Lineman
Ivan Puni · 1927 · Art Institute of Chicago
Same era · 1900s–1930s
American Gothic
Okada Saburosuke · 1930 · Art Institute of Chicago
Same era · 1900s–1930s
Bull's Head
Mikhail Larionov · 1913 · Tretyakov Gallery
Same era · 1900s–1930s
The Firmament Above the Temple
Paul Klee · 1922 · The Metropolitan Museum of Art
Same era · 1900s–1930s
The Fiddler
Norman Rockwell · 1921 · Brandywine Museum of Art
Same era · 1900s–1930s
The Praying Jew
Marc Chagall · 1923 · Art Institute of Chicago
Same era · 1900s–1930s
Woman before an Aquarium
Henri Matisse · 1921 · Art Institute of Chicago
Same era · 1900s–1930s
Untitled (Birds)
Max Ernst · 1924 · Art Institute of Chicago
Same era · 1900s–1930s
Man and Trees, Florida
John Singer Sargent · 1917 · The Metropolitan Museum of Art
Same era · 1900s–1930s
Seated Woman, Back View
Egon Schiele · 1917 · The Metropolitan Museum of Art

