Concerto Spirituale by Thomas Rowlandson

Concerto Spirituale

Thomas Rowlandson · 1775

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“This drawing captures a musician's humorous, yet heartfelt, performance with energetic lines and washes. It offers a glimpse into the lively social observations of 18th-century England through a moment of musical passion.”

ABOUT THIS WORK

In this lively drawing, a musician with a comically exaggerated nose and chin plays a cello, his head thrown back in a moment of intense, almost painful, musical ecstasy. The rapid pen strokes and brown wash give the scene an immediate, energetic feel, capturing the fleeting movement of the performer and the sound that seems to emanate from him. His eyes are closed, lost in the music, while his bow arm is a blur of motion. This intimate portrayal of a musician's passion, rendered with a touch of good-natured satire, offers a glimpse into the social observations common in 18th-century English art. The drawing's spontaneous quality, typical of Thomas Rowlandson's approach, makes it feel like a snapshot from a private concert, or perhaps a spirited public performance, inviting us to imagine the sounds filling the room.

DETAILS
Artist
Thomas Rowlandson
Date
1775
Medium
Pen and brush with brown wash, over traces of graphite, on ivory wove paper
Location
Art Institute of Chicago
Dimensions
19.4 × 16.4 cm (7 11/16 × 6 1/2 in.)
LOOK CLOSER

What to Notice

Four details hide in plain sight. Here’s where to look.

Concerto Spirituale
01

The musician's closed eyes and open mouth, lost in the music.

02

The exaggerated features of his face, especially his nose and chin.

03

The rapid, almost scribbled lines suggesting the cello's strings and bow.

04

The energetic brushstrokes of brown wash that define the form and shadows.

THE ARTIST

Thomas Rowlandson

Thomas Rowlandson was a prolific English caricaturist of the Georgian Era, renowned for his robust political satires and keen social observations.

Read Rowlandson’s full story
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