“Stop for "Con brio" to experience Keith Haring's iconic style in a burst of pure, unadulterated energy. Its dancing figures, alive with color and radiating lines, capture a moment of joyous, almost musical, vitality.”
In "Con brio," a vibrant square canvas, two dynamic figures, rendered in Keith Haring's signature bold outlines, leap and dance with exuberant energy. Their bodies are a riot of bright, primary colors—red, yellow, blue—filled with a swirling, almost psychedelic pattern of lines and dots that suggest intense motion and sound. The background is a stark white, allowing the figures to pop forward, their limbs extended as if caught in mid-air. This sense of lively movement is amplified by the radiating lines that emanate from their forms, a visual shorthand for sound, energy, or even a heartbeat. Haring often used such iconography to communicate urgent messages, and here, the sheer joy and vitality of the figures are palpable, inviting viewers to feel the rhythm and spirit of the piece. The title, an Italian musical term meaning "with spirit" or "with vigor," perfectly encapsulates the painting's infectious enthusiasm.
- Artist
- Keith Haring
- Date
- 1983
- Medium
- Oil on canvas
- Location
- Art Institute of Chicago
- Dimensions
- 111.8 × 111.8 cm (44 × 44 in.)
What to Notice
Four details hide in plain sight. Here’s where to look.

The radiating lines around the figures, suggesting sound or movement.
The vibrant, swirling patterns filling the bodies of the dancers.
The way the figures' limbs extend, almost breaking the canvas edge.
The simple, yet expressive, facial features of the figures.
Keith Haring
1958–1989 · United StatesKeith Haring transformed New York City subway chalk drawings into a globally recognized visual language, addressing urgent social issues with his iconic Radiant Baby and dancing figures.
Further Works by Haring
More from Postmodernism
More works to explore
Beyond Haring and Postmodernism: works from the same years, and from the other movements Con brio belongs to.
Same movement · Contemporary Art
Sun Spot
Yayoi Kusama · 1953 · Art Institute of Chicago
Same era · 1960s–1990s
Pat Hearn
Andy Warhol · 1985 · Art Institute of Chicago
Same era · 1960s–1990s
Untitled (Portrait of Ross in L.A.)
Félix González-Torres · 1991
Same era · 1960s–1990s
Artist's Studio "Foot Medication"
Roy Lichtenstein · 1974 · Art Institute of Chicago
Same era · 1960s–1990s
Corpse and Mirror II
Jasper Johns · 1974 · Art Institute of Chicago
Same era · 1960s–1990s
Untitled (Brown and Gray)
Mark Rothko · 1969 · The Metropolitan Museum of Art
Same era · 1960s–1990s
Wu Street
Xu Bing · 1993 · Art Institute of Chicago
Same era · 1960s–1990s
Cremaster 5: The Queen of Chain
Matthew Barney · 1997 · Art Institute of Chicago
Same era · 1960s–1990s
Krach
Philip West · 1987 · Art Institute of Chicago
Same era · 1960s–1990s
It's a New Age
William Hook · 1992 · Art Institute of Chicago
Same era · 1960s–1990s
A Face from Georgia
Ivan Albright · 1970 · Art Institute of Chicago
Same era · 1960s–1990s
Red Plank
John McCracken · 1969 · Art Institute of Chicago
Same era · 1960s–1990s
Allegory of Spring
Salvador Dalí · 1979 · Dalí Theatre and Museum





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