DETAILS
- Artist
- Jean-François Millet
- Date
- 1814
- Medium
- Etching on thin laid paper; fourth (final) state
- Location
- The Metropolitan Museum of Art
- Dimensions
- plate: 10 3/16 x 13 3/16 in. (25.8 x 33.5 cm)
- Collection
- Drawings and Prints
- Credit line
- Gift of David Keppel, 1917
ART MOVEMENTS
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THE ARTIST
Jean-François Millet
1814–1875 · FranceJean-François Millet was a French artist and one of the founders of the Barbizon school in rural France. Millet is noted for his paintings of peasant farmers and can be categorized as part of the Realism art movement. Toward the end of his career, he became increasingly interested in painting pure landscapes. He is known best for his oil paintings but is also noted for his pastels, Conté crayon drawings, and etchings.
MORE FROM THIS ARTIST
Further Works by Millet
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Young Woman
1844 · Art Institute of Chicago
Woman Feeding Chickens
1850 · Art Institute of Chicago
The Sheepshearers
1857 · Art Institute of Chicago
Peasants Bringing Home a Calf Born in the Fields
1864 · Art Institute of Chicago
In the Auvergne
1866 · Art Institute of Chicago
The Little Shepherdess
1870 · Art Institute of Chicago
The Wool Carder
1855 · The Metropolitan Museum of Art
The Diggers
1855 · Cleveland Museum of Art
EXPLORE THE MOVEMENT
More from Realism
KEEP EXPLORING
More works to explore
Beyond Millet and Realism: works from the same years, and from the other movements The Diggers belongs to.
Same movement · Barbizon school
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1790s–1820s
The Third of May 1808
Francisco Goya · 1814 · Museo del Prado
Same movement · Naturalism
Portrait of a Woman, Called Héloïse Abélard
Gustave Courbet · 1850 · The Metropolitan Museum of Art
Same era · 1790s–1820s
Snow Storm: Hannibal and his Army Crossing the Alps
J. M. W. Turner · 1812 · National Gallery
Same movement · Naturalism
Souvenir of Tuscany
Jean Baptiste Camille Corot · 1845 · Art Institute of Chicago
Same era · 1790s–1820s
Wanderer above the Sea of Fog
Caspar David Friedrich · 1818 · Hamburger Kunsthalle
Same movement · Naturalism
C'est peut-être bon...mais c'est égal..., from Les Hippophages, published in Le Charivari, October 23, 1856
Honoré Daumier · 1856 · The Metropolitan Museum of Art
Same era · 1790s–1820s
Male Academy Figure: Half-Length, Side View
Eugène Delacroix · 1819 · Karen B. Cohen Collection
Same era · 1790s–1820s
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1790s–1820s
Napoleon Crossing the Alps
Jacques-Louis David · 1800 · Musée national de Malmaison et Bois-Préau
Same era · 1790s–1820s
Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
Samuel Jones · 1819 · Art Institute of Chicago
Same era · 1790s–1820s
Sketchbook: Souvenir of Naples
Artist Unknown - The Mercat Cross, Aberdeen · 1821 · The Metropolitan Museum of Art
Same era · 1790s–1820s
Samuel Fisher Bradford
Rembrandt Peale · 1803 · Art Institute of Chicago
Same era · 1790s–1820s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1790s–1820s
John Reeves (1752–1829)
Samuel Drummond · 1814 · Eton College
Same era · 1790s–1820s
Charles Paulet (1764–1843), 13th Marquess of Winchester
Thomas Stewardson · 1815 · Winchester Guildhall



