Young Mother Gazing at Her Child

William-Adolphe Bouguereau, 1871

MEDIUMOil on canvas
DIMENSIONS56 x 40 1/2 in. (142.2 x 102.9 cm)
LOCATIONThe Metropolitan Museum of Art
COLLECTIONEuropean Paintings
CREDIT LINEBequest of Zene Montgomery Pyle, 1993

Step into a moment of pure maternal affection with Bouguereau's "Young Mother Gazing at Her Child." This exquisite academic painting showcases the artist's renowned skill in capturing idealized beauty and tender human emotion.

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ABOUT THIS WORK

William-Adolphe Bouguereau, a prominent French academic painter, created "Young Mother Gazing at Her Child" in 1871. This work exemplifies his mastery of realistic genre painting, a style for which he was widely celebrated during his lifetime in both France and the United States. Bouguereau, who often drew inspiration from classical subjects and emphasized the female form, here turns his attention to a tender domestic scene. The painting reflects his ability to imbue his subjects with grace and a sense of idealized beauty, a characteristic that made his portraits particularly charming. The year 1871 was a significant one for Bouguereau, as he also produced "Breton Brother and Sister" during this period, indicating a continued focus on familial and rustic themes that had emerged in his work by the late 1850s. This piece, like many of his works, showcases the meticulous finish and smooth brushwork typical of the academic style he championed, contrasting sharply with the burgeoning Impressionist movement that would later overshadow his popularity until a revival of interest in figure painting in the 1980s.

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What to Notice

1

The mother's tender gaze and gentle smile

2

The soft, idealized rendering of skin and fabric

3

The delicate curls of the child's hair

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Audio Deep Dive

Step into a moment of pure maternal affection with Bouguereau's "Young Mother Gazing at Her Child." This exquisite academic painting showcases the artist's ren…

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THE ARTIST
William-Adolphe Bouguereau 1825–1905 · France

William-Adolphe Bouguereau, a master of academic painting, captivated 19th-century audiences with his mythological and realistic genre scenes.

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