“This drawing charts a t-cell count, a poignant reference to the AIDS epidemic, transforming personal medical data into a quiet, yet powerful, abstract statement. Its hand-drawn precision invites contemplation of the human stories behind the numbers.”
This drawing, "Untitled" (t-cell count), presents a stark, almost clinical rendering of a medical graph. Against a tan paper background, a series of precise black lines chart a fluctuating data set, punctuated by small, hand-drawn circles that mark specific points in time. The title quietly reveals the subject: a t-cell count, a critical measure for those living with HIV/AIDS. Created in 1990, the work subtly evokes the personal and public anxieties of the AIDS epidemic, transforming highly intimate medical data into a public, albeit abstract, visual statement. The deliberate, almost minimalist aesthetic invites close contemplation, asking viewers to consider the human story behind the impersonal lines and numbers. This piece is part of a series of "graph" works by Félix González-Torres, which are notable for being among the few in his oeuvre with hand-drawn elements.
- Artist
- Félix González-Torres
- Date
- 1990
- Medium
- Graphite, over white opaque watercolor, on tan wove paper
- Location
- Art Institute of Chicago
- Dimensions
- 49.5 × 40 cm (19 1/2 × 15 3/4 in.)
- Collection
- Prints and Drawings
- Culture
- United States
- Credit line
- Gift of Judith Neisser
What to Notice
Four details hide in plain sight. Here’s where to look.

Observe the delicate graphite lines, charting an unseen patient's t-cell count.
Notice the small, hand-drawn circles that mark specific data points on the graph.
See how the white opaque watercolor creates a subtle, almost ethereal background for the lines.
Look at the tan wove paper, its texture adding a tactile quality to the clinical subject.
Stand in front of it and listen
The full narration walks you through "Untitled" (t-cell count) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Félix González-Torres
1957–1996 · CubaFélix González-Torres transformed everyday objects like light bulbs and wrapped candies into profound meditations on love, loss, and public engagement.
Further Works by González-Torres
Gonzalez and Shadow
1972 · Art Institute of Chicago
"Untitled" (Bloodwork—Steady Decline)
1993 · Art Institute of Chicago
Extemporaneous
Art Institute of Chicago
Portrait of Edmond de Goncourt
Art Institute of Chicago
"Untitled" (Paris)
1988 · Art Institute of Chicago
"Untitled"
1989 · Art Institute of Chicago
"Untitled" (Silver Beach)
1990 · Art Institute of Chicago
"Untitled" (Fainted)
1991 · Art Institute of Chicago
More works to explore
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