Kiki Smith, 1992
Stop and look at this unsettling wax figure, curled on the ground. Its raw physicality and exposed form invite reflection on vulnerability, disease, and the human body's complex meanings.
A figure lies curled on the floor, its form made from wax, gauze, and pigment. This sculpture, "Blood Pool," challenges traditional ideas of human representation by focusing on the body as a site of biological and social struggle. The wax, a material known for its malleability, gives the figure a startlingly flesh-like texture and color. While the artist used casts of live models as a starting point, the figure's fetal pose and exposed spine transform it into a primal symbol. It invites viewers to consider themes of individual and collective health, disease, and the complex realities of life and death, particularly resonating with the dual potential of human blood during the AIDS era.
The figure's fetal, curled-up pose on the floor.
The exposed spine, visible through the wax form.
The mottled, flesh-like color and texture of the wax.
Stop and look at this unsettling wax figure, curled on the ground. Its raw physicality and exposed form invite reflection on vulnerability, disease, and the hu…
Kiki Smith is a German-born American artist known for her visceral explorations of the human body and its relationship to nature.
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