"Untitled" (Bloodwork—Steady Decline)

Félix González-Torres, 1993

MEDIUMGraphite and gouache on paper
DIMENSIONSSheet: 1.3 × 28 cm (9/16 × 11 1/16 in.)
LOCATIONArt Institute of Chicago
COLLECTIONPrints and Drawings
CULTUREUnited States
CREDIT LINEMargaret Fisher Endowment; through prior gifts of Mary and Leigh Block and Mr. and Mrs. Carter H. Harrison; Mr. and Mrs. Frank G. Logan Prize Fund

This drawing, resembling a medical graph, quietly charts a "steady decline" through subtle lines and dots. It's a poignant reflection on health, data, and the passage of time, created by an artist known for works that invite personal interpretation.

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ABOUT THIS WORK

This spare, horizontal drawing presents a series of precisely plotted lines and dots, resembling a medical graph. Titled "Bloodwork—Steady Decline," the work immediately suggests a somber narrative, hinting at the tracking of a patient's health over time. The subtle shifts in the graphite and gouache on paper, though abstract, evoke the meticulous recording of data, perhaps blood counts or other vital signs. Created in 1993, this piece belongs to a series of "graph" works by Félix González-Torres, which are the only works by him that include hand-drawn elements. While such graphs have often been interpreted as representations of personal medical charts, the artist intended them to remain non-specific, allowing for broader interpretations of graphed data and the universal experience of monitoring change, decline, or hope.

LOOK CLOSER

What to Notice

1

Observe the delicate graphite lines, charting a subtle, downward trajectory.

2

Notice the small, precise gouache dots, marking specific data points on the graph.

3

See the subtle variations in the paper's texture and color, adding to the work's fragility.

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Audio Deep Dive

This drawing, resembling a medical graph, quietly charts a "steady decline" through subtle lines and dots. It's a poignant reflection on health, data, and the…

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THE ARTIST
Félix González-Torres 1957–1996 · Cuba

Félix González-Torres transformed everyday objects like light bulbs and wrapped candies into profound meditations on love, loss, and public engagement.

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