Trionfo Di Virtu. Libro Novo..., page 25 (recto) by Matteo Pagano

Trionfo Di Virtu. Libro Novo..., page 25 (recto)

Matteo Pagano · 1563

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“Stop to appreciate this intricate 16th-century woodcut, a page from a pattern book that provided designs for textiles. It offers a glimpse into the world of Renaissance craft and fashion, showcasing a sophisticated design for embroidery or weaving.”

ABOUT THIS WORK

This woodcut from Matteo Pagano's "Trionfo Di Virtu. Libro Novo..." presents a detailed textile pattern, a testament to the practical artistry of 16th-century Venice. Here on page 25, we see a symmetrical design featuring a central, stylized floral motif, flanked by a pair of fantastical birds with long, elegant tails. The intricate lines and delicate shading, achieved through the woodcut technique, suggest the texture and drape of a woven fabric. This print, part of a pattern book published in 1563, served as a vital resource for artisans across Europe, providing templates for embroidery, lace-making, and weaving. It reflects a period when printed designs democratized access to fashionable motifs, allowing skilled hands to replicate sophisticated styles previously reserved for the elite. The clarity and precision of the design speak to its function as a working blueprint, intended to be easily transferable and adaptable.

DETAILS
Artist
Matteo Pagano
Date
1563
Medium
Woodcut
Location
The Metropolitan Museum of Art
Dimensions
Overall: 9 13/16 x 7 7/8 in. (25 x 20 cm)
Collection
Drawings and Prints
Credit line
Harris Brisbane Dick Fund, 1937
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What to Notice

Five details hide in plain sight. Pick one and we’ll show you exactly where to look.

Trionfo Di Virtu. Libro Novo..., page 25 (recto)

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01Whole painting

Two stacked patterns

One black block is split by a thin line into two different grids. The upper half looks busier and more irregular, while the lower half is more orderly.

02

Diamond lattice

In the lower half, white diagonal lines form a trellis of diamonds, each holding a small cross-shaped flower. Follow the diagonals to feel the rhythm.

1 of 3 on the painting
03

Upper zigzag motifs

Look in the top half for pale, angular shapes that look like hooks and stepped diamonds. They float among rows of tiny dots and are easy to read as noise.

2 of 3 on the painting
04

White on black

The design is built from tiny white squares set against solid black, a grid that resembles counted stitches. It reads as pattern more than as a drawing.

3 of 3 on the painting
05Whole painting

The dividing line

A thin white line runs across the block and separates the two patterns. The pattern shifts in scale and density as you cross it.

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THE ARTIST

Matteo Pagano

Matteo Pagano, an Italian printmaker, created intricate woodcut designs for lace patterns and other decorative arts in 16th-century Venice.

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