Trionfo Di Virtu. Libro Novo..., page 25 (recto)

Matteo Pagano, 1563

MEDIUMWoodcut
DIMENSIONSOverall: 9 13/16 x 7 7/8 in. (25 x 20 cm)
LOCATIONThe Metropolitan Museum of Art
COLLECTIONDrawings and Prints
CREDIT LINEHarris Brisbane Dick Fund, 1937

Step into the world of Renaissance design with this intricate woodcut by Matteo Pagano, a master of pattern books that guided artisans in 16th-century Venice. It's a testament to the beauty and utility of decorative art.

Get the full experience in Art Whisper
Get it on Google Play Download on the App Store
ABOUT THIS WORK

This woodcut, "Trionfo Di Virtu. Libro Novo..., page 25 (recto)", is a fascinating example of Matteo Pagano's work from 1563. Pagano was a prolific Venetian printer and designer, known for his intricate pattern books that served as guides for lacemakers, embroiderers, and other artisans. This particular piece comes from a book titled 'Trionfo Di Virtu' (Triumph of Virtue), which, like his other works such as 'L'Honesto Essempio' (The Accurate Example) from 1556, showcases elaborate designs meant to inspire and instruct. The medium of woodcut was ideal for disseminating these patterns widely, allowing for relatively easy reproduction and distribution across Europe. Pagano's books were not just practical tools; they were also works of art in themselves, reflecting the rich tradition of decorative arts in Renaissance Venice. His designs often feature geometric precision combined with flowing, organic motifs, characteristic of the era's aesthetic.

LOOK CLOSER

What to Notice

1

Intricate interweaving lines

2

Repetitive, yet dynamic pattern

3

Symmetry and balance in the design

2 more details waiting — unlock in Art Whisper
Audio Deep Dive

Step into the world of Renaissance design with this intricate woodcut by Matteo Pagano, a master of pattern books that guided artisans in 16th-century Venice.…

Hear the full story in the app
THE ARTIST
Matteo Pagano

Matteo Pagano, an Italian printmaker, created intricate woodcut designs for lace patterns and other decorative arts in 16th-century Venice.

Read Matteo's full story in Art Whisper
See something wrong?
Open the App